19th century
2.22 x 6.03 cm (7/8 x 2 3/8 in.)
Stephen Bleecker Luce, Bequest to Fogg Art Museum, 1962.
Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the "hiramaki-e" (low-relief sprinkled design) and "kanagai" (sheet-gold appliqué) techniques
18th-19th centuryJapaneseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with textured sheet-lead and raden (mother-of-pearl) inlays
17th-18th centuryJapaneseSilver
18th centuryBritishPale greenish white nephrite
18th-19th centuryChineseDry lacquer; dark brown lacquer over fabric core, the decoration on the exterior in "takamakie" high relief gold and brown lacquer, the decoration on the interior and base in "nashiji" gold flakes; the base with signature reading "Mushū" in black lacquer
21st centuryJapaneseTortoise shell
18th centuryFrenchGrayish nephrite with off-white inclusions
18th-19th centuryChineseInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration partially inlaid in black and white slips
12th centuryKoreanRed lacquer
ChineseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver) and silver inlays; stone, metal, and enamel fittings
17th centuryJapaneseSilver
17th centuryBritish