datable to 2008
Of hexagonal form, this dry lacquer tea caddy is made entirely of lacquer applied over a cloth core, the surface imitating the color and texture of an old bronze vessel. The top and sides have minutely executed décor in takamakie high relief gold and brown lacquer representing two flowers and twelve pine needles. The inside and the bottom are decorated with nashiji gold flakes; the bottom bears the artist's signature reading Mushū and written in black lacquer. The tea caddy comes with its original kiri-wood tomobako box which is inscribed on the side: Kanshitsu chaki "Sōshun", or "Dry Lacquer Tea Caddy 'Early Spring'"; the box bears the artist's signature reading Mushū; a square, black intaglio seal reading Mu Shū immediately follows the signature.
tea caddy and cover: H. 6.2 x Diam. 8.4 cm (2 7/16 x 3 5/16 in.)
Yamazaki Mushū (artist), Kyoto, Japan; through Erik Thomsen LLC Asian Art, New York; to Harvard Art Museum
Lacquered wood: wooden core with light brown lacquer (possibly over a leather substrate) and inlays of mother-of-pearl, sharkskin or ray skin, wire, twisted wire, and metal fillings
18th-19th centuryKoreanPale greenish white nephrite
18th-19th centuryChineseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet gold and silver appliqué) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone, metal, and enamel fittings
17th centuryJudaeanPale greenish white nephrite with white inclusions
18th-19th centuryChineseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; lead-alloy fittings
18th centuryJapaneseSilver
17th centuryBritishLacquer
ChineseMaki-e designs in gold and silver on nashi-ji lacquer ground
JapaneseOff-white nephrite
18th-19th centuryChineseLacquer on wood with decoration in black and gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; shakudo (copper-gold alloy) fittings
19th centuryJapaneseSilver
Unidentified cultureBox with mounted Plexiglas wheel and various sample materials
20th centuryBritish