1690-1691
Square straight-sided form with canted corners, the sides flat-chased with Chinoiserie exotic birds and foliage; the removabel covers with reeded borders, chased with entwined dolphins above a fountain enclosed by exotic foliage.
1949.114.87.1: 6.7 × 12.7 × 12.7 cm (2 5/8 × 5 × 5 in.) 1949.114.87.2: 6.7 × 12.7 × 12.7 cm (2 5/8 × 5 × 5 in.) 789 g
Archibald Alexander Hutchinson, New York, bequest; to the Fogg Art Museum, 1949.
Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver)
17th-18th centuryJapaneseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with textured sheet-lead and raden (mother-of-pearl) inlays
17th-18th centuryJapaneseEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Longqing nian zao" within a double circle on the base
16th centuryChineseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, applied kirigane (cut gold and silver), and [later] raden (mother-of-pearl) inlays; metal fittings
15th-16th centuryJapaneseSilver with parcel gilding
3rd century BCE-3rd century CEChineseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; copper fittings
18th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryLacquer on wood with decoration in gold, silver, and aokin (gold-silver) utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; gilt-copper fittings [tray with decoration of cranes in takamaki-e (high-relief sprinkled design) may be a later replacement]
18th centuryJapaneseQingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChinesePale greenish white nephrite; the inscription picked out in gold
19th centuryChineseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver); metal fittings and silk cord
18th centuryJapanese