18th-19th century
including cover: H. 18.5 x W. 54.4 x D. 28.4 cm (7 5/16 x 21 7/16 x 11 3/16 in.)
Philip Hofer (1898-1984), Cambridge, MA (by 1984), gift; to Harvard University Art Museums, 1984.
Lacquer on wood with Namban-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and harigaki (linear incising) techniques, and with raden (mother-of-pearl) inlays; metal fittings
16th-17th centuryJapaneseWatercolor, gold-colored pigments, and lacquer over brass layer on pasteboard
19th centuryPersianLacquer on woven bamboo with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays
17th centuryJapaneseIncised celadon ware: light gray stoneware with celadon glaze over incised decoration
11th centuryKoreanLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet gold and silver appliqué) techniques; metal fittings
15th-16th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold and silver)
18th centuryJapaneseSilver and wax
18th centuryBritishLacquer
17th-19th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) technique
18th centuryJapaneseSilver
19th centuryBritishYaozhou ware: light gray stoneware with celadon glaze over carved decoration. From the Yaozhou kilns at Tongchuan, Shaanxi province.
11th-12th centuryChineseOpaque watercolor, gold-colored pigments, brass chips, and lacquer over brass layer on pasteboard
19th century