1831-1832
Oblong, the base, sides and hinged cover with continuous engine-turning, the cover with vacant rectangular cartouche and foliate thumb-piece.
1.6 x 7.3 x 4.1 cm (5/8 x 2 7/8 x 1 5/8 in.) 74.5 g
Edwin Hale Abbot Jr., Cambridge, MA, bequest; to Fogg Art Museum, 1966.
Iron or bronze with decoration applied in gold; with small cartouche on the cover reading "Kingakuji" and a maker's mark in gold on the base; the interior of box and cover lined with sheet gold, the linings cursorily engraved with landscapes
19th-20th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; metal fittings
17th centuryJapaneseBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanPainted celadon ware: molded light gray stoneware with celadon glaze over decoration painted in copper-red and in black and white slips. Reportedly recovered in Changhŭng, South Chŏlla province, in 1963.
13th centuryKoreanLacquer on wood
JapaneseSilver
Unidentified cultureKamakura-bori; black and cinnabar lacquers over a carved wooden core
14th-15th centuryJapaneseMetal
19th centuryFrenchMonochrome lead-glazed ware: molded white earthenware with lead-fluxed emerald-green glaze on the exterior and lead-fluxed clear glaze mottled with green on the interior. Probably from kilns at Luoyang or Gongxian, Henan province.
9th-10th centuryChineseSilver with parcel gilding
3rd century BCE-3rd century CEChineseLacquer
JapaneseHuangpu ware: light gray stoneware covered all over with white slip, the decoration painted in localized areas of discontinuous dark brown glaze. From the Huangpu kilns, Tongchuan, Shaanxi province
9th centuryChinese