Covered Hexagonal Box, the Cover with a Stylized "Double Hŭi" Character, the Box with Characters round its Sides Walls Reading Su, Pok, Kang, Nyŏng, Ta, and Nam, all the Characters on Box and Cover Set against a Nwi-mun (Chinese, Leiwen) Ground

Porcelain with enamels and gold

Watercolor, gold-colored pigments, and lacquer over brass layer on pasteboard

Tortoise shell, with brass fittings and painted lid

Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with sprinkled raden (mother-of-pearl) flakes

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques

Carved ivory

Lacquer on wood with decoration in gold utilizing the "hiramaki-e" (low-relief sprinkled design) and "kanagai" (sheet-gold appliqué) techniques

Inlaid celadon ware: light gray stoneware with celadon glaze over incised decoration and over decoration inlaid in black and white slips

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; lead-alloy fittings

Cizhou ware: light gray stoneware with clear glaze over decoration painted in a dark brown slip on a white slip ground

Lacquer on wood with Kōdaiji-style decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut silver)