second half 13th century
H. 3.1 x Diam. 7.8 cm (1 1/4 x 3 1/16 in.)
Gregory (1922-1988) and Maria C. Henderson (1923-2007), Medford, MA (by 1969-1988), inherited; by Maria C. Henderson, Medford, MA (1988-1991), partial gift and partial purchase; to Harvard University Art Museums, 1991.
Dry lacquer; dark brown lacquer over fabric core, the decoration on the exterior in "takamakie" high relief gold and brown lacquer, the decoration on the interior and base in "nashiji" gold flakes; the base with signature reading "Mushū" in black lacquer
21st centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver)
17th-18th centuryJapaneseLacquer
18th centuryJapaneseWood
19th-20th centuryThaiOlive wood
European?Qingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChineseBronze
7th-10th centuryChineseLacquer on wood
JapaneseCeramic
19th centuryEuropeanLight gray stoneware with iron-saturated russet-brown and black glaze
20th centuryJapaneseLacquer on woven bamboo with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays
17th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques and with glazed-ceramic and raden (mother-of-pearl) inlays; stone and lacquered-copper fittings
18th centuryJapanese