Momoyama period, late 16th century-early 17th century
11.1 x 8.5 x 4.6 cm (4 3/8 x 3 3/8 x 1 13/16 in.)
Lacquer on wood with Kōdaiji-style decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut silver)
16th-17th centuryJapaneseWood with metal fittings
20th centuryKoreanLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with raden (mother-of-pearl) inlays
17th-18th centuryJapaneseMaki-e lacquer;
17th-19th centuryJapaneseLacquer on wood with Namban-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and harigaki (linear incising) techniques, and with raden (mother-of-pearl) inlays; metal fittings
16th-17th centuryJapanesePale greenish white nephrite; the inscription picked out in gold
19th centuryChineseLacquer on wood with decoration in gold utilizing the togidashi maki-e (sprinkled design revealed by polishing) technique; stone and gilt-copper fittings
17th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji (pictorial "pear-skinned" ground) techniques; stone and copper fittings
17th centuryJapaneseLacquer
18th centuryJapaneseLight gray stoneware with iron-saturated russet-brown and black glaze
20th centuryJapaneseYue ware: light gray stoneware with celadon glaze over carved decoration. From the Yue kilns at Shanglinhu, Zhejiang province.
9th-10th centuryChinese