Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji ("pear-skinned" ground) techniques; metal interior fittings

17th centuryJapanese

Boxes

Circular Box with Openwork Cover and with Decoration of Dragons and Clouds

Unknown Artist, Wanli period, 1573-1620

Enameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Wanli nian zhi" within a double circle on the base

16th-17th centuryChinese

Boxes

Covered Circular Incense Container

Nishikawa Minoru, ca. 1990

Celadon ware: light gray stoneware with light bluish-green celadon glaze with a lavender splash on cover; with a square seal reading "Minoru" mpressed into the unglazed base before firing

20th centuryJapanese

Boxes

One of a Pair of Storage Boxes, with Decoration of Two Dragons Pursuing a Flaming Jewel and with a Hinged Cover Fitted with a Lock

Unknown Artist, 19th-first half 20th century

Lacquered wood with brass fittings and with inlays of mother of pearl, tortoiseshell, twisted wire, and metal filings

19th-20th centuryKorean

Boxes

Covered Rectangular Box, the Cover with a Stylized "Double Hŭi" Character, the Box with Four Cartouches round its Side Walls, the Cartouches Depicting Two Recumbent Spotted Deer amidst Pines, Two Standing Manchurian Cranes amidst Bamboo, Two Walking Spotted Deer amidst Pines, and a Turtle Emerging from Waves, all the Decorative Motifs on Box and Cover Set against a Diapered Ground

Unknown Artist, late 19th-early 20th century

Bronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color

19th-20th centuryKorean

Boxes

Rectangular Box with Decoration of Jurojin and Child Attendant with Various Auspicious Symbols

Unknown Artist, Meiji period, circa 1868-1895

Lacquer on wood with decoration in black, gold, silver, and red utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques

19th centuryJapanese

Boxes

Hiranatsume Spring and Autumn Tea Caddy with Decoration of Cherry Blossoms and Maple Leaves

Unknown Artist, 1920-1930

Takamakie lacquer, nashiji gold flakes, and kirigane gold foil on a roiro black lacquer ground, the lower sides with nashiji gold flakes and bokashi kinpun gold dust, the inside and the bottom with dense nashiji gold flakes

20th centuryJapanese

Boxes

Inkstone Box (Suzuribako)

Unknown Artist, Early Edo period, late 17th to early 18th century

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone and metal fittings

17th-18th centuryJapanese

Boxes

Jade Circular Covered Incense Box with Peony Decor

Unknown Artist, 18th-early 19th century

Pale greenish white nephrite with white inclusions

18th-19th centuryChinese

Boxes

Scholar's Chest with Hinged Cover, Lock, and Two Side Handles and with "Tae-Geuk" Decor

Unknown Artist, 18th century

Rosewood with metal (brass and copper?) fittings, the interior of the box lined with silk damask

18th centuryKorean

Boxes

Inkstone Box (Suzuribako) with Geometric Hare-Medallion Design

Unknown Artist, Early Edo period, late 17th century

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji (pictorial "pear-skinned" ground) techniques; stone and copper fittings

17th centuryJapanese