Kamakura period, datable to circa 1292
H. 10.1 cm (4 in.)
[Yamanaka Shoji Co., Ltd, Awata Kyoto (1936)], sold; to Ellery Sedgwick, Beverly, MA, (1936-1960), passed; to his wife, Marjorie Russell, Beverly, MA (1960-1971), inherited; by Ellery Sedgwick, Jr., Gates Mills, Ohio, (1971-1991), inherited; by Walter Sedgwick, Woodside, CA, (1991-2019), partial and promised gift; to the Harvard Art Museums.
Wood, multiple-woodblock construction; with traces of polychromy
13th-14th centuryJapaneseWood, multiple-woodblock construction; with traces of polychromy
13th-14th centuryJapaneseWood with polychromy
13th centuryJapaneseWood; deep blue pigment applied to the background and to the inside of the shrine cover; blue pigment applied to the head
13th centuryJapaneseCamphor wood, unpainted except for red pigment on lips and black on eyes
13th centuryJapaneseWood with traces of lacquer, polychromy, and gilding
13th centuryJapaneseWood; red pigment applied to the lower underskirt, earth-green pigment to the hair and back, and black to the eyes; wire halo
13th centuryJapaneseWood; red pigment applied to lips and urna and black pigment to the hair and eyes
13th centuryJapaneseGilt bronze
13th centuryJapaneseJapanese cypress (hinoki); assembled woodblock construction with polychromy and rock-crystal inlaid eyes
13th centuryJapaneseWood, single-woodblock construction; with traces of polychromy over white gesso ground
12th-13th centuryJapaneseWood; cinnabar-red pigment applied to the background; bow-and-arrow of thin metal wire
13th centuryJapanese