Kamakura period, datable to circa 1292
H. 7.1 cm (2 13/16 in.)
[Yamanaka Shoji Co., Ltd, Awata Kyoto (1936)], sold; to Ellery Sedgwick, Beverly, MA, (1936-1960), passed; to his wife, Marjorie Russell, Beverly, MA (1960-1971), inherited; by Ellery Sedgwick, Jr., Gates Mills, Ohio, (1971-1991), inherited; by Walter Sedgwick, Woodside, CA, (1991-2019), partial and promised gift; to the Harvard Art Museums.
Wood with polychromy
13th centuryJapaneseWood; deep blue pigment applied to the background and to the inside of the shrine cover; blue pigment applied to the head
13th centuryJapanese2 sculptures: wood, multiple-woodblock construction; with traces of polychromy
13th-14th centuryJapaneseWood, multiple-woodblock construction; with traces of polychromy
13th-14th centuryJapaneseWood, single-woodblock construction; with traces of polychromy over white gesso ground
12th-13th centuryJapaneseWood, with red and green pigments applied to the robes and black to the hair
13th centuryJapaneseGilt bronze
13th centuryJapaneseJapanese cypress (hinoki); assembled woodblock construction with polychromy and rock-crystal inlaid eyes
13th centuryJapaneseCamphor wood, unpainted except for red pigment on lips and black on eyes
13th centuryJapaneseWood; cinnabar-red pigment applied to the background; bow-and-arrow of thin metal wire
13th centuryJapaneseWood with traces of lacquer, polychromy, and gilding
13th centuryJapaneseWood, multiple-woodblock construction; with traces of polychromy
13th-14th centuryJapanese