19th-20th century
Small boxes like this one were used to hold small Qur'ans, prayer manuals, or talismanic texts, which were written on long sheets of paper and folded repeatedly or rolled to fit the confines of their containers. The front of the box is decorated with a non-monetary coin surrounded by stylized vine-and-leaf motifs in relief. The coin features a six-pointed star popularly known as the Seal of Solomon, which—since Solomon was believed to have authority over supernatural powers—often adorns talismanic objects and texts. An arched lid closes the box; cords passed through its two handles would have allowed it to be suspended, providing protection to a place or a person.
16 x 18.2 x 2.4 cm (6 5/16 x 7 3/16 x 15/16 in.)
Stanford and Norma Jean Calderwood, Belmont, MA (by 1992-2002), gift; to Harvard Art Museums, 2002.
Bronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanRed lacquer
ChineseSilver, gilt
19th centuryBritishMetal
19th centuryFrenchLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques
18th centuryJapaneseTakamakie lacquer, nashiji gold flakes, and kirigane gold foil on a roiro black lacquer ground, the lower sides with nashiji gold flakes and bokashi kinpun gold dust, the inside and the bottom with dense nashiji gold flakes
20th centuryJapaneseEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Longqing nian zao" within a double circle on the base
16th centuryChineseBox with mounted Plexiglas wheel and various sample materials
20th centuryBritishLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques; metal fittings and silk cord
18th centuryJapaneseSilver
19th centuryBritishLacquer on wood
JapaneseLacquer on woven bamboo with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays
17th centuryJapanese