19th century
5.4 x 7.94 x 3.81 cm (2 1/8 x 3 1/8 x 1 1/2 in.)
Stephen Bleecker Luce, Bequest to Fogg Art Museum, 1962.
Huangpu ware: light gray stoneware with dark brown glaze. From the Huangpu kilns, Tongchuan, Yaozhou county, Shaanxi province
9th centuryChineseOff-white stoneware with pale celadon glaze over decoration applied in white slip, the decoration embellished with incising and with touches of iron-brown slip in localized areas. Possibly from the Yaozhou kilns, near Tongchuan, Shaanxi province.
9th centuryChinesePale greenish white nephrite; the inscription picked out in gold
19th centuryChineseMaki-e designs in gold and silver lacquers on nashiji lacquer ground
19th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji (pictorial "pear-skinned" ground) techniques; stone and copper fittings
17th centuryJapaneseLacquer on wood
17th-19th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver) and silver inlays; stone, metal, and enamel fittings
17th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques
18th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and harigaki (linear incising) techniques, and with applied kirigane (cut gold and silver) and shibuchi (copper-silver alloy); metal fittings
17th-18th centuryJapaneseIvory plaques mounted on oak, with gilt bronze fittings
12th centuryItalianLacquer on wood with Namban-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and harigaki (linear incising) techniques, and with raden (mother-of-pearl) inlays; metal fittings
16th-17th centuryJapaneseLacquer on wood with decoration in gold, silver, and aokin (gold-silver) utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; gilt-copper fittings [tray with decoration of cranes in takamaki-e (high-relief sprinkled design) may be a later replacement]
18th centuryJapanese