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Prints

And So Was His Grandfather

Francisco José de Goya y Lucientes, 18th century

Aquatint on off white wove paper

18th centurySpanish

Prints

Fields and a Village Road, with a Post Mill

Joannes van Doetecum, 1559-1561; printed c. 1612

16th-17th centuryNetherlandish

Prints

Dirck Volkertsz. Coornhert

Hendrick Goltzius, 1591-1592

Engraving printed in black ink on off white antique laid paper

16th centuryDutch

Prints

The Large Woodcut Nude

Screen print

George Cruikshank, May 1, 1814

Hand-colored etching

19th centuryBritish

Prints

Oceanus

Hendrick Goltzius, c. 1598-1600

Chiaroscuro woodcut printed from three blocks in black, pale orange, and green inks on white antique laid paper

16th-17th centuryDutch

Prints

Title Page

Coryn Boel, 17th century

17th centuryFlemish

Prints

The Sleep of Reason Produces Monsters

Francisco José de Goya y Lucientes, 18th century

18th centurySpanish

Prints

Do Women Have to Be Naked to Get Into the Metropolitan Museum?

Guerrilla Girls, 20th century

20th centuryAmerican

Prints

Ran Away, a man named Glenn. He has almost no hair...

Glenn Ligon, 1993

20th centuryAmerican

Prints

Buddhist Sutra: Posal Sŏngkye Kyŏng (Chinese, Pusa Shanjie Jing), complete in one volume

Unknown Artist, 1242

Accordion-fold, woodblock-printed book; ink on paper

13th centuryKorean

Prints

Nocturne: Furnace

James Abbott McNeill Whistler, 1879 - 1880

Etching and drypoint printed with considerable plate tone in brownish-black ink on off-white antique laid paper

19th centuryAmerican

Prints

Actor Matsumoto Kōshirō IV as Gorōbei, the Fishmonger from San'ya from the Play "Katakiuchi Noriai-Banashi" (Kiri-za)

Tōshūsai Sharaku, Late Edo period, 1794 (5th month)

Woodblock print; ink, color, and mica on paper

18th centuryJapanese

Prints

Ben Arthur, Scotland

Joseph Mallord William Turner, 1819

Etching and mezzotint printed in brown ink on off-white wove paper

19th centuryBritish

Prints

Actor Segawa Kikunojō 3rd as Oshizu, the Wife of Tanabe Bunzō from the Play "Hana-Ayame Bunroku Soga" (Miyako-za)

Tōshūsai Sharaku, Late Edo period, 1794 (5th month)

Ukiyo-e woodblock print in "ōban" format; ink, color and mica on paper, with printed signature reading "Tōshūsai Sharaku ga"

Engraving printed in black ink on white antique laid paper

Riphaeus Mountains Region of the Moon

Nancy Graves, 1972

20th centuryAmerican

Prints

Cranes on the Seashore/The Reed Shell (Ashigai), from the series "Shell-Matching Game with Genroku Poets" (Genroku kasen kai-awase)

Katsushika Hokusai 葛飾北斎, Edo period, datable to 1821

Ukiyo-e woodblock-printed "surimono" in "shikishi" format; ink, color, gold, metallic pigment, and embossing on paper, with printed signature reading "Getchi Rōjin I-itsu hitsu"

19th centuryJapanese

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