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Design for the Monument of William Ellery Channing, Mount Auburn Cemetery

Design for the Monument of William Ellery Channing, Mount Auburn Cemetery

Washington Allston, c. 1842

Graphite on off-white wove paper

19th centuryAmerican

Head of a Woman, study for "Saul and the Witch of Endor"

Head of a Woman, study for "Saul and the Witch of Endor"

Washington Allston, c. 1820

Graphite and brown ink on ivory laid paper

19th centuryAmerican

Foot, study for "Dead Man Revived..."; verso: Foot

Foot, study for "Dead Man Revived..."; verso: Foot

Washington Allston, 1811 - 1813

Graphite on ivory laid paper

19th centuryAmerican

Five Hand Studies, for "Dead Man Revived..."; verso: Striding Male Figure

Five Hand Studies, for "Dead Man Revived..."; verso: Striding Male Figure

Washington Allston, 1811 - 1813

Graphite on ivory laid paper

19th centuryAmerican

Elevation of a façade with double columns (half drawing)

Elevation of a façade with double columns (half drawing)

Washington Allston, 1803 - 1805?

Graphite on off-white wove paper

19th centuryAmerican

Heads of Two Women, for "Christ Healing the Sick"; verso: Two Profiles

Heads of Two Women, for "Christ Healing the Sick"; verso: Two Profiles

Washington Allston, c. 1813

Red chalk on blue-gray wove paper

19th centuryAmerican

Landscape including Mill, Stream, and Trees

Landscape including Mill, Stream, and Trees

Washington Allston, 1818 - 1821

Brown ink on off-white wove paper

19th centuryAmerican

Seated Male Nude, Head Resting on Knees; Male Head in Profile

Washington Allston, 1817 - 1818

Black ink on off-white wove paper

19th centuryAmerican

Jeremiah's Left Arm and Drapery, for "Jeremiah Dictating..."

Jeremiah's Left Arm and Drapery, for "Jeremiah Dictating..."

Washington Allston, 1819

Black and white chalk on blue-gray wove paper

19th centuryAmerican

Lower Half of Belshazzar's Robe, for "Belshazzar's Feast"

Lower Half of Belshazzar's Robe, for "Belshazzar's Feast"

Washington Allston, 1821 - 1826

Black and white chalk on blue-gray wove paper

19th centuryAmerican

Two Studies of Hanging Curls

Two Studies of Hanging Curls

Washington Allston, 1825 - 1830

Black and white chalk on blue-gray wove paper

19th centuryAmerican

Two Sections of the Queen's Robe, for "Belshazzar's Feast"

Two Sections of the Queen's Robe, for "Belshazzar's Feast"

Washington Allston, 1817

Black and white chalk on blue-gray wove paper

19th centuryAmerican

Right Knee and Foot for "The Angel of Wrath"

Right Knee and Foot for "The Angel of Wrath"

Washington Allston, 1829 - 1833

Black and white chalk on blue-gray wove paper

19th centuryAmerican

Three Figures Grieving Over a Recumbent Man, study for "The Death of King John"

Three Figures Grieving Over a Recumbent Man, study for "The Death of King John"

Washington Allston, c. 1837

Graphite on off-white wove paper

19th centuryAmerican

Study of a Male Head and Nose, for "Belshazzar's Feast"

Study of a Male Head and Nose, for "Belshazzar's Feast"

Washington Allston, 1820 - 1821

Graphite on blue-gray wove paper

19th centuryAmerican

Spalatro's Right Hand Holding a Lamp, for "Spalatro's Vision..."

Spalatro's Right Hand Holding a Lamp, for "Spalatro's Vision..."

Washington Allston, c. 1830

Graphite on off-white wove paper

19th centuryAmerican

Figures Looking over a Ledge; Heads; Figure Study; verso: Hands, Legs, Figure

Figures Looking over a Ledge; Heads; Figure Study; verso: Hands, Legs, Figure

Washington Allston, 1811 - 1813

Brown ink on ivory laid paper

19th centuryAmerican

Male Torso, for "Dead Man Revived..."

Male Torso, for "Dead Man Revived..."

Washington Allston, c. 1811-1813

Black and white chalk on brown wove paper

19th centuryAmerican

Scene from "A Winter's Tale"

Scene from "A Winter's Tale"

Washington Allston, c. 1832

Graphite on off-white wove paper

19th centuryAmerican

Studies of Two Monks in Profile, for "Spalatro's Vision of the Bloody Hand"

Washington Allston, c. 1830

Graphite on off-white laid paper

19th centuryAmerican

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