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  1. Harvard Art Museums
  3. Calligraphy

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Discover artworks from the Harvard Art Museums collection

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The Plum Tree Branch (Umegae), Calligraphic Excerpt from Chapter 32 of the Tale of Genji (Genji monogatari)
Calligraphy
The Plum Tree Branch (Umegae), Calligraphic Excerpt from Chapter 32 of the Tale of Genji (Genji monogatari)
Konoe Hisamichi, Muromachi period, datable to 1509-1510

The thirty-second of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
New Wisteria Leaves (Fuji no Uraba), Calligraphic Excerpt from Chapter 33 of the Tale of Genji (Genji monogatari)
Calligraphy
New Wisteria Leaves (Fuji no Uraba), Calligraphic Excerpt from Chapter 33 of the Tale of Genji (Genji monogatari)
Fushimi no miya Kunitaka shinnō, Muromachi period, datable to 1509-1510

The thirty-third of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Spring Shoots I (Wakana: jō), Calligraphic Excerpt from Chapter 34 of the Tale of Genji (Genji monogatari)
Calligraphy
Spring Shoots I (Wakana: jō), Calligraphic Excerpt from Chapter 34 of the Tale of Genji (Genji monogatari)
Son'ō Jugō, Muromachi period, datable to 1509-1510

The thirty-fourth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Spring Shoots II (Wakana: ge), Calligraphic Excerpt from Chapter 35 of the Tale of Genji (Genji monogatari)
Calligraphy
Spring Shoots II (Wakana: ge), Calligraphic Excerpt from Chapter 35 of the Tale of Genji (Genji monogatari)
Reizei Tamehiro, Muromachi period, datable to 1509-1510

The thirty-fifth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Oak Tree (Kashiwagi), Calligraphic Excerpt from Chapter 36 of the Tale of Genji (Genji monogatari)
Calligraphy
The Oak Tree (Kashiwagi), Calligraphic Excerpt from Chapter 36 of the Tale of Genji (Genji monogatari)
Jōhōji Kōjo, Muromachi period, datable to 1509-1510

The thirty-sixth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Flute (Yokobue), Calligraphic Excerpt from Chapter 37 of the Tale of Genji (Genji monogatari)
Calligraphy
The Flute (Yokobue), Calligraphic Excerpt from Chapter 37 of the Tale of Genji (Genji monogatari)
Sanjōnishi Sanetaka, Muromachi period, datable to 1509-1510

The thirty-seventh of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Bell Cricket (Suzumushi), Calligraphic Excerpt from Chapter 38 of the Tale of Genji (Genji monogatari)
Calligraphy
The Bell Cricket (Suzumushi), Calligraphic Excerpt from Chapter 38 of the Tale of Genji (Genji monogatari)
Konoe Hisamichi, Muromachi period, datable to 1509-1510

The thirty-eighth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Evening Mist (Yūgiri), Calligraphic Excerpt from Chapter 39 of the Tale of Genji (Genji monogatari)
Calligraphy
Evening Mist (Yūgiri), Calligraphic Excerpt from Chapter 39 of the Tale of Genji (Genji monogatari)
Fushimi no miya Kunitaka shinnō, Muromachi period, datable to 1509-1510

The thirty-nineth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Law (Minori), Calligraphic Excerpt from Chapter 40 of the Tale of Genji (Genji monogatari)
Calligraphy
The Law (Minori), Calligraphic Excerpt from Chapter 40 of the Tale of Genji (Genji monogatari)
Son'ō Jugō, Muromachi period, datable to 1509-1510

The fortieth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Seer (Maboroshi), Calligraphic Excerpt from Chapter 41 of the Tale of Genji (Genji monogatari)
Calligraphy
The Seer (Maboroshi), Calligraphic Excerpt from Chapter 41 of the Tale of Genji (Genji monogatari)
Reizei Tamehiro, Muromachi period, datable to 1509-1510

The forty-first of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Perfumed Prince (Niou Miya), Calligraphic Excerpt from Chapter 42 of the Tale of Genji (Genji monogatari)
Calligraphy
The Perfumed Prince (Niou Miya), Calligraphic Excerpt from Chapter 42 of the Tale of Genji (Genji monogatari)
Jōhōji Kōjo, Muromachi period, datable to 1509-1510

The forty-second of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Red Plum Blossoms (Kōbai), Calligraphic Excerpt from Chapter 43 of the Tale of Genji (Genji monogatari)
Calligraphy
Red Plum Blossoms (Kōbai), Calligraphic Excerpt from Chapter 43 of the Tale of Genji (Genji monogatari)
Sanjōnishi Sanetaka, Muromachi period, datable to 1509-1510

The forty-third of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Bamboo River (Takekawa), Calligraphic Excerpt from Chapter 44 of the Tale of Genji (Genji monogatari)
Calligraphy
Bamboo River (Takekawa), Calligraphic Excerpt from Chapter 44 of the Tale of Genji (Genji monogatari)
Konoe Hisamichi, Muromachi period, datable to 1509-1510

The forty-fourth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Maiden of the Bridge (Hashihime), Calligraphic Excerpt from Chapter 45 of the Tale of Genji (Genji monogatari)
Calligraphy
The Maiden of the Bridge (Hashihime), Calligraphic Excerpt from Chapter 45 of the Tale of Genji (Genji monogatari)
Fushimi no miya Kunitaka shinnō, Muromachi period, datable to 1509-1510

The forty-fifth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Beneath the Oak (Shiigamoto), Calligraphic Excerpt from Chapter 46 of the Tale of Genji (Genji monogatari)
Calligraphy
Beneath the Oak (Shiigamoto), Calligraphic Excerpt from Chapter 46 of the Tale of Genji (Genji monogatari)
Son'ō Jugō, Muromachi period, datable to 1509-1510

The forty-sixth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Trefoil Knots (Agemaki), Calligraphic Excerpt from Chapter 47 of the Tale of Genji (Genji monogatari)
Calligraphy
Trefoil Knots (Agemaki), Calligraphic Excerpt from Chapter 47 of the Tale of Genji (Genji monogatari)
Reizei Tamehiro, Muromachi period, datable to 1509-1510

The forty-seventh of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Bracken Shoots (Sawarabi), Calligraphic Excerpt from Chapter 48 of the Tale of Genji (Genji monogatari)
Calligraphy
Bracken Shoots (Sawarabi), Calligraphic Excerpt from Chapter 48 of the Tale of Genji (Genji monogatari)
Jōhōji Kōjo, Muromachi period, datable to 1509-1510

The forty-eighth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Ivy (Yadorigi), Calligraphic Excerpt from Chapter 49 of the Tale of Genji (Genji monogatari)
Calligraphy
The Ivy (Yadorigi), Calligraphic Excerpt from Chapter 49 of the Tale of Genji (Genji monogatari)
Sanjōnishi Sanetaka, Muromachi period, datable to 1509-1510

The forty-ninth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Eastern Cottage (Azumaya), Calligraphic Excerpt from Chapter 50 of the Tale of Genji (Genji monogatari)
Calligraphy
The Eastern Cottage (Azumaya), Calligraphic Excerpt from Chapter 50 of the Tale of Genji (Genji monogatari)
Konoe Hisamichi, Muromachi period, datable to 1509-1510

The fiftieth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
A Drifting Boat (Ukifune), Calligraphic Excerpt from Chapter 51 of the Tale of Genji (Genji monogatari)
Calligraphy
A Drifting Boat (Ukifune), Calligraphic Excerpt from Chapter 51 of the Tale of Genji (Genji monogatari)
Fushimi no miya Kunitaka shinnō, Muromachi period, datable to 1509-1510

The fifty-first of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
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