1896
image: 31 × 41.9 cm (12 3/16 × 16 1/2 in.) sheet: 34.8 × 46.9 cm (13 11/16 × 18 7/16 in.)
Edvard Munch, bequest; to City of Oslo, 1944. Munch Museet, traded for two paintings, September 1974. [Kaare Berntsen, Oslo], sold; to Philip A. and Lynn G. Straus, New York, 1978, bequest; to Harvard Art Museums, 2023
Lithograph printed in black ink on white China paper, mounted by the artist on a sheet of coarse brown paper
19th centuryNorwegianLithograph printed in black ink on laid paper laid down on brownish board
19th centuryNorwegianLithograph printed in black ink on heavy white wove paper
19th centuryNorwegianLithograph in black ink on off-white wove paper, hand-colored in blue watercolor and mounted by the artist on coarse brown paper
19th centuryNorwegianLithograph printed in black ink on bluish-white wove paper, diffusely discolored to yellow, mounted by the artist on coarse brown paper
19th centuryNorwegianLithograph printed from four stones twice in red and once in olive-tan and blue (discolored?) on beige wove paper
19th centuryNorwegianLithograph printed in black ink on off-white China paper, hand-colored in blue watercolor and mounted by the artist on coarse brown paper
19th centuryNorwegianLithograph printed in black ink on heavy cream wove paper, mounted by the artist on coarse brown paper
19th centuryNorwegianLithograph in black, dark red, beige, and blue printed from the keystone and three color plates on China paper
19th-20th centuryNorwegianLithograph in crayon and tusche printed in black ink with hand coloring in red, pink, blue, green, and purple, on gray-green thin paperboard
19th-20th centuryNorwegianLithograph printed in black and red ink on heavy off-white wove paper
19th centuryNorwegianLithograph printed in black ink on grey-green wove paper
19th centuryNorwegian