dated 1713
The thin and small manuscript of 34 folios opens with a beautiful illuminated sarlawh. The original Arabic text is copied in naskh in black ink, with interlinear translation into Persian in small red thulth on floral gold drawings. According to the colophon it was copied by Ahmad al-Nayrizi in 1125 H (1713) in Isfahan. Ahmad b. Shams al-Din Muhammad Nayrizi (or Neyrizi) (fl. 1096-1152) was one of the greatest calligraphers of the late Safavid period, and the master of naskh and thulth. He canonized a distinct form of naskh script, known as Persian Naskh. Originally from Nayriz of Fars, he moved to Isfahan at the summon of the last Safavid ruler, Sultan Husayn where he resided from 1100 to 1134. The binding is covered with a blue cloth on the outside and plain paper on the inside.
20 x 13 cm (7 7/8 x 5 1/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink, colors, and gold on paper
18th centuryPersianGilded leather (binding) and ink, gold, and colors on paper (text)
18th centuryPersianInk, colors, and gold on paper
18th centuryPersianInk, opaque watercolor and gold on paper
18th centuryPersianInk, opaque watercolor and gold on paper
18th centuryPersianInk, opaque watercolor and gold on paper
18th and 19th centuriesPersianInk, opaque watercolor and gold on paper
18th and 19th centuriesPersianInk, colors, and gold on paper
18th centuryPersianInk, colors, and gold on paper
18th centuryPersianWatercolor, gold-colored pigments, and lacquer on pasteboard (covers) Ink, gold, and colors on paper (text)
18th centuryPersianInk, opaque watercolor and gold on paper
18th centuryPersianInk, opaque watercolor and gold on paper
18th centuryPersian