1836
The manuscript opens with an illuminated sarlawh. The text is in Arabic and is copied in large naskh, 12 lines to a page. All folios are decorated with gold floral motifs in the margins and interliner gilding. The name of God (allahumma) and the prayer (al-salawat) are written in gold throughout the text. The manuscript was copied by Ahmed Shamlu in H. 1252/1836 according to the colophon.
19 x 12 cm (7 1/2 x 4 3/4 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Watercolor, gold-colored pigments, and lacquer over metallic layer on pasteboard (covers) Ink, gold, and colors on paper (text)
17th and 19th centuriesPersianWatercolor, gold-colored pigments, and lacquer on pasteboard (covers) Ink, gold, and colors on paper (text)
19th centuryPersianInk, opaque watercolor and gold on paper
19th centuryPersianInk, colors, and gold on paper
19th centuryPersianInk, opaque watercolor and gold on paper
19th centuryPersianInk, colors, and gold on paper
19th centuryPersianInk, opaque watercolor and gold on paper
16th and 19th centuryPersianInk, opaque watercolor and gold on paper
17th and 19th centuriesPersianInk, opaque watercolor and gold on paper
17th and 19th centuriesPersianInk, opaque watercolor and gold on paper
16th and 19th centuryPersianColored ink, watercolor, and gold on off-white laid paper (coated and burnished), leather binding
19th centuryPersianInk, opaque watercolor and gold on paper
19th-20th centuryPersian