late 19th century
The manuscript opens with a richly illuminated heading and margins. The text is copied in nasta`liq by Fathallah, also known as Jalal, for Aqa Mirza Mahdi Khan kalantar, ra’is dar of Isfahan. Most of the fourteen paintings are signed “Ibrahim” in red ink. The back of the folios with paintings are decorated with a large diamond shaped medallion in different colors. The binding is decorated with center and corner pieces decorated with filigree leather. The horizontal pendants have the name of the poet Jami. The doublures are decorated with center pieces with pendants.
22.8 x 15 cm (9 x 5 7/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Calligraphy; ink, opaque watercolor and gold on paper, lacquer binding
17th and 19th centuriesPersianInk, colors, and gold on paper; wooden binding
19th centuryPersianInk, colors, and gold on paper
19th centuryPersianInk, opaque watercolor and gold on paper
18th and 19th centuriesPersianInk, colors, and gold on paper
19th centuryPersianInk, opaque watercolor and gold on paper
19th centuryPersianInk, opaque watercolor and gold on paper
17th and 19th centuriesPersianInk, opaque watercolor and gold on paper
17th and 19th centuriesPersianCalligraphy; ink, opaque watercolor and gold on paper, with red lacquer binding
16th and 19th centuryPersianInk, opaque watercolor and gold on paper
19th centuryPersianInk, opaque watercolor and gold on paper, with lacquer binding
17th and 19th centuriesPersianInk and gold on paper
16th and 19th centuryPersian