1864
The manuscript opens with an illuminated heading. The Arabic text is copied in black ink in naskh script with interlinear translation in Persian in nastaliq script in red ink. It ends with four lines of thuluth text praising the Qajar ruler Nasir al-Din Shah followed by the copyist's name and date, Ahmad al Shirazi al-Mutakhallis bi'l-Vaqar, 1281 (1864-65). The lacquer binding has a floating bouquet of mixed flowers on the outside. The inner covers are decorated with a central medallion and pendants filled with flowers set against a red ground filled with a floral arabesque in gold.
29.8 × 18.8 × 1.6 cm (11 3/4 × 7 3/8 × 5/8 in.) Text area: 19.8 × 10.5 cm (7 13/16 × 4 1/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink, colors, and gold on paper
19th centuryPersianInk, colors, and gold on paper
19th centuryPersianInk, opaque watercolor and gold on paper
17th and 19th centuriesPersianInk and gold on paper
16th and 19th centuryPersianWatercolor, gold-colored pigments, and lacquer on pasteboard (covers) Ink, colors, and gold on paper (text)
16th and 19th centuryPersianInk, colors, and gold on paper
19th centuryPersianInk, opaque watercolor and gold on paper
19th-20th centuryPersianInk, opaque watercolor and gold on paper
18th and 19th centuriesPersianInk, opaque watercolor and gold on paper
17th and 19th centuriesPersianInk, opaque watercolor and gold on paper
18th and 19th centuriesPersianInk and gold on paper
19th centuryPersianInk and gold on paper; velvet binding with leather edges
19th centuryPersian