1719
The manuscript opens with double illuminated pages with central medallions with prayers followed by double illuminated text pages with suras 1and 2. The text is copied in naskh script, 21 lines to a page, with illuminated chapter headings. The colophon page gives the name of the scribe, Muhammad Salih Muhammad Muhsin al-Isfahani who finished copying in H 1132 (1719). It appears that the folios, which were originally copied on cream-colored paper, have been re-margined with pink paper at a later date when some illuminated folios were also added to the text block. The lacquer binding, which may date from this later refurbishment, has a central medallion with pendants filled with floral sprays set against a gold floral arabesque. A thin band frames the field. The inner covers are decorated with a diamond-shaped central flower group and pendants. A thin band surrounds the field.
13.6 × 8.6 × 2.4 cm (5 3/8 × 3 3/8 × 15/16 in.) Text area: 10.2 × 5.3 cm (4 × 2 1/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink, opaque watercolor and gold on paper
18th and 19th centuriesPersianInk, colors, and gold on paper
18th centuryPersianInk, opaque watercolor and gold on paper
18th centuryPersianInk, opaque watercolor and gold on paper
18th centuryPersianWatercolor, gold-colored pigments, and lacquer over metallic layer on pasteboard (covers) Ink, gold, and colors on paper (text)
18th and 19th centuriesPersianInk, colors, and gold on paper
18th centuryPersianInk, opaque watercolor and gold on paper
17th-18th centuryPersianInk, opaque watercolor and gold on paper
18th centuryPersianInk, colors, and gold on paper
18th centuryPersianInk, colors, and gold on paper
18th centuryPersianInk and opaque watercolor on paper
18th-19th centuryPersianWatercolor, gold-colored pigments, copper particles, and lacquer over brass layer on pasteboard (covers) Ink, gold, and colors on paper (text)
18th centuryPersian