PrintsNetherlandish16th century

Twenty-four Hunting Scenes

16th century

Artists

Adriaen CollaertArtist

Hans BolArtist after

Classification

Prints

Technique

Engraving

Culture

Netherlandish

Century

16th century

Division

European and American Art

Department

Department of Prints

Related Artworks

Prints

The Burning of the Tares, the Harvest of Wheat

Pieter Jalhea Furnius, 1568

Engraving printed in black ink with added transparent and opaque watercolor and metallic gold on white antique laid paper, darkened to cream

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Saint James the Greater

Lucas van Leyden, c. 1510

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Satire on Clerical Abuse

Hans Collaert the Elder, c. 1570

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Title Plate, Icones Revelationum; Saint John on Patmos; The Vision of the Seven Candlesticks; The Twenty-four Elders with Harps around the Throne of Godl The Four Horsemen of the Apocalypse

Adriaen Collaert, before 1585

Engraving printed in black ink with added transparent and opaque watercolor and metallic gold on white antique laid paper, darkened to cream

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Zedekiah

Unidentified Artist, c. 1579

Engraving printed in black ink with added transparent and opaque watercolor and metallic gold on white antique laid paper, darkened to cream

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The Dream of Nebukadnessar

Lucas van Doetecum, before 1576

Engraving and etching printed in black ink with added transparent and opaque watercolor and metallic gold on white antique laid paper, darkened to cream

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Peacock and Stork

Adriaen Collaert, 1580

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Rooster and Turkey

Adriaen Collaert, 1580

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Esther before Ahasuerus

Hans Collaert the Elder, c. 1579

Engraving printed in black ink with added transparent and opaque watercolor and metallic gold on white antique laid paper, darkened to cream

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The First Vision: The Son of God Crowning the Multitude on Mount Sion

Unidentified Artist, 1582-85

Engraving printed in black ink with added transparent and opaque watercolor and metallic gold on white antique laid paper, darkened to cream

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Euphraxia Romana

Adriaen Collaert, 16th-17th century

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Christ Driving the Money Changers from the Temple

Lucas van Doetecum, c. 1572

Engraving and etching printed in black ink with added transparent and opaque watercolor and metallic gold on white antique laid paper, darkened to cream

16th centuryNetherlandish