PrintsJapanese19th century

Shin Yoshiwara Magic Scene

1866, 6th month

Artists

Utagawa YoshitsuyaArtist

Classification

Prints

Medium

Right sheet from an ukiyo-e woodblock-printed ōban triptych; ink and color on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 37.3 cm x W. 25.7 cm (14 11/16 x 10 1/8 in.)

Related Artworks

Prints

Travelers Passing by Mt. Fuji/ Yoshiwara, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsantsugi ezukushi)

Katsushika Hokusai 葛飾北斎, Edo period, 1810

Ukiyo-e woodblock print; Ink and color on paper

19th centuryJapanese

Prints

Furyū Genji: Akashi (Hiroshige landscape, Kunisada [main] figures)

Utagawa Hiroshige 歌川広重, Late Edo period, 1835

Right panel from an ukiyo-e woodblock-printed "ōban" diptych; ink and color on paper

19th centuryJapanese

Prints

View of Asakusa in Snow (Asakusa secchū no zu), from the series Famous Places of Edo (Edo meisho no uchi)

Utagawa Hiroshige II, 19th century

Ukiyo-e woodblock print; ink and color on paper

19th centuryJapanese

Prints

Courtesan Looking at Kimono Train/ Willow Tea (Yanagi-cha yui), from the Series for the Willow Group (Yanagi bantsuzuki), with poems by Ryūgentei Karakoto and Ryūtarin Senjō

Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Singing by the Plum Garden

Yōshū (Hashimoto) Chikanobu (楊洲周延), 1887 (Meiji 20)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Minamoto no Yorimasa and Tamamo no Mae

Yashima Gakutei 八島岳亭, Edo period,

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment(?) on paper

19th centuryJapanese

Prints

Girl Holding Battledore and Shuttlecock and Kneeling Woman by Buckets/ Yamakawa Dance (Yamakawa odori), from the series Three Dances Upclose (Sanyō (?) jin), with poems by Kahontei (Hanamoto?) Nemaru and Naniwatei Soyokaze

Katsushika Hokusai 葛飾北斎, Edo period,

Ukiyo-e woodblock-printed "surimono" in "kokonotsu-giri ban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Chinese Warrior Grappling with a Horse (Uma), from the series Twelve Zodiac Animals (Jūnishi)

Yashima Gakutei 八島岳亭, Edo period, circa 1820

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color, mica and metallic pigment on paper

19th centuryJapanese

Prints

Ghost of Sogo's Wife (Sogo no tsuma no tamashii)

Toyohara Kunichika, Meiji period, dated to 1893

Bottom panel from an ukiyo-e woodblock-printed vertical "ōban" triptych; ink and color on paper with printed signature reading "Osetsu Toyohara Kunichika"

19th centuryJapanese

Prints

YUKARI NO UTENSHU

Utagawa Kunisada 歌川国貞, 19th century

Ink on paper

19th centuryJapanese

Prints

Triptych: Yoshitsune as a Boy (Onzōshi Ushiwakamaru)

Utagawa Kuniyoshi 歌川国芳, Late Edo period, 19th century

Right panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Komagata Hall, Azuma Bridge (Komagatadō Azumabashi), Number 62 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (1st month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese