PrintsJapanese19th century

View of Tokyo (Shore with Boats)

19th century

Artists

Utagawa Hiroshige IIArtist

Classification

Prints

Medium

Ink on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

actual: 22.86 x 34.29 cm (9 x 13 1/2 in.)

Related Artworks

Prints

Pilgrimage to the Unveiling of Benzaiten at Enoshima in Sagami: Caves at the Main Shrine (Sōshū Enoshima Benzaiten kaichō mōde Hongū Iwaya no zu)

Utagawa Hiroshige 歌川広重, c. 1851

Woodblock print (nishiki-e) triptych left sheet; ink and color on paper

19th centuryJapanese

Prints

Courtesan as Kinkō (Qin Gao), from the series Courtesans Viewed as the Immortals of Ressenden, One of Seven (Keisei mitate Ressenden, shichiban no uchi)

Yashima Gakutei 八島岳亭, c. 1824

Woodblock print (surimono); ink, color, embossing, and metallic pigments on paper

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Prints

Court Ladies and Child Holding Pheasant's Eye Plant (Fukujusō) by Wheeled Writing Table (Fuguruma) at New Year's

Kubo Shunman 窪俊満, Edo period, circa early 19th century

Ukiyo-e woodblock-printed surimono; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

Prints

Arranging Flowers (Ikebana), from the series The Appearance of Upper-Class Women of the Edo Period (Tokugawa jidai kifujin no sugata)

Yōshū (Hashimoto) Chikanobu (楊洲周延), Meiji period, datable to September 1, 1900

Center panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

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Prints

Triptych: Sergeant Kawasaki Crosses the River Daidōkō Alone (Kawasaki gunsō tanshin Daidōkō o wataru)

Mizuno Toshikata, Meiji period, dated 1894

Woodblock printed "ōban"-sized triptych; ink and color on paper

19th centuryJapanese

Prints

Standing Actor

Utagawa Kuniyoshi 歌川国芳, 19th century

19th centuryJapanese

Prints

Plum Blossoms Over Stream, with poem by Fukakusaun Hayao

Kubo Shunman 窪俊満, Edo period, circa early 19th century

Ukiyo-e woodblock-printed surimono; ink, color, metallic pigment and embossing on paper

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Prints

Ghost of Sogo's Wife (Sogo no tsuma no tamashii)

Toyohara Kunichika, Meiji period, dated to 1893

Top panel from an ukiyo-e woodblock-printed vertical "ōban" triptych; ink and color on paper with printed signature reading "Osetsu Toyohara Kunichika"

19th centuryJapanese

Prints

Three Women Admiring Nagaban-Format Surimono, with poems by Shunman and Fukae Sugamichi

Kubo Shunman 窪俊満, Edo period, circa late 18th-early 19th century

Ukiyo-e woodblock-printed surimono in "yatsugiri-ban" format; ink, color and embossing on paper

18th-19th centuryJapanese

Prints

"Kaigun shoko to seishin no senryaku toron suru zu"

Mizuno Toshikata, Meiji period, dated 1894

Right panel from a woodblock-printed "ōban" triptych; ink and color on paper

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Three Ladies on a Spring Day

Unknown Artist, 18th-19th century

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

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Prints

Actors Ichikawa Danjūrō 7th as Soga no Gorō and Bandō Mitsugorō 3rd as Asahina no Saburō in the Armor-Pulling Scene (Kusazuribiki)

Utagawa Kunisada 歌川国貞, Edo period, 1827 (Bunsei 10)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese