c. 1860
8.8 x 17.5 x 9 cm (3 7/16 x 6 7/8 x 3 9/16 in.)
Carl Chiarenza, Rochester, New York, acquired from Nicholas Dean, 1961, sold to Harvard University Art Museums, 1997. (Nicholas Dean, private collector, Cambridge, Massachusetts)
Rosewood with metal (brass and copper?) fittings, the interior of the box lined with silk damask
18th centuryKoreanSilver
19th centuryPersianLacquered Papier-mâché
19th centuryKoreanLacquer on wood with Namban-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and harigaki (linear incising) techniques, and with raden (mother-of-pearl) inlays; metal fittings
16th-17th centuryJapaneseSilver with parcel gilding
3rd century BCE-3rd century CEChineseSilver
19th centuryBritishOlive wood
European?Lacquer
JapaneseCarved rhinoceros horn
17th centuryChineseLight gray stoneware with iron-saturated russet-brown and black glaze
20th centuryJapaneseLacquer on wood with decoration in tsugaru-nuri (layered sabi urushi [thick lacquer paste] and colored lacquers with sprinkled silver powder and raden [mother-of-pearl] flakes, textured with circular gouging), colored lacquers, gold, and sabi urushi utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and raden inlays
18th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with shibuchi (copper-silver alloy), brass, silver, and coral inlays; stone, metal, and enamel fittings
18th centuryJapanese