BoxesJapanese

SUTRA BOX, PARTLY IN MAKI-E

Classification

Boxes

Medium

Lacquer

Culture

Japanese

Period

Momoyama period, 1568-1615

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Boxes

Incense Burner (Kōro) with Autumn Flower Design

Unknown Artist, Early Edo period, late 17th century-early 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques; openwork bronze cover and copper interior fittings

17th-18th centuryJapanese

Boxes

Mirror Box (Kagamibako) with Flowering Cherry Tree Design

Unknown Artist, Momoyama period, late 16th to early 17th century

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques

16th-17th centuryJapanese

Boxes

Kōdaiji Incense Container (Kōgō) with Shell and Chrysanthemum Design

Unknown Artist, Momoyama period, late 16th to early 17th century

Lacquer on wood with Kōdaiji-style decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut silver)

16th-17th centuryJapanese

Boxes

Calabash-Shaped Box for Sweatmeats with Decoration of Maple Leaves

Unknown Artist, 19th century

Maki-e lacquer

19th centuryJapanese

Boxes

BOX WITH PLAIN LACQUER

Unknown Artist

Lacquer on wood

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Boxes

Inkstone Box (Suzuribako) with Design of Hares and Autumn Grasses

Hon'ami Kōetsu 本阿弥光悦, late Momoyama or early Edo period, late 16th to early 17th century

Lacquer on wood with decoration in sabi urushi (thick lacquer paste) and gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with appliqués of lead foil and raden (mother-of-pearl) inlays; stone and copper fittings

16th-17th centuryJapanese

Boxes

Small Box (Kobako) with Pine and Plum Tree Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; copper fittings

18th centuryJapanese

Boxes

Mirror Box (Kagamibako) and Tiered Incense Container (Jūkōgō) with Flowering Clematis Design

Unknown Artist, Mid Edo period, early 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques

18th centuryJapanese

Boxes

Hiranatsume Spring and Autumn Tea Caddy with Decoration of Cherry Blossoms and Maple Leaves

Unknown Artist, 1920-1930

Takamakie lacquer, nashiji gold flakes, and kirigane gold foil on a roiro black lacquer ground, the lower sides with nashiji gold flakes and bokashi kinpun gold dust, the inside and the bottom with dense nashiji gold flakes

20th centuryJapanese

Boxes

Drawered Incense Pillow (Kōmakura) with Crest and Fern-Scroll Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) technique

18th centuryJapanese

Boxes

Kōdaiji Scroll Box (Fubako) with Lozenge and Crest Design

Unknown Artist, Momoyama period, late 16th century

Lacquer on wood with Kōdaiji-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; [modern] silver fittings

16th centuryJapanese

Boxes

Small Container (Kobako) with Chrysanthemum and Wheel Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; lead-alloy fittings

18th centuryJapanese