PrintsAmerican19th-20th century
Old Doorway in Venice
19th-20th century
Artists
Charles Herbert MooreArtist
Related Artworks
View MorePrints
Dignitaries of the Empire Viewing Cherry Blossoms
Yōshū (Hashimoto) Chikanobu (楊洲周延), 1887 (Meiji 20)
Woodblock print (nishiki-e); ink and color on paper
19th centuryJapanesePrints
Competition Entry for William and Mary College Art Center, Williamsburg, Virginia, 1938-1939: First and second floor plans, east and north elevations
Walter Gropius, 1938-1939
20th centuryAmerican
Prints
Béguinage, Brussels
John Coney, 19th century
19th centuryBritish
Prints
The Blockhouse
Reinier Nooms, called Zeeman, 17th century
17th centuryDutch
Prints
Proposal for a Photomontage: "City Screen"
VALIE EXPORT, 2005
Photocopy on translucent paper
20th centuryAustrianPrints
Joseph before Pharaoh
Pietro Santi Bartoli, 16th century
16th centuryItalian
Prints
Glaucus and Scylla
Joseph Mallord William Turner, 19th century
19th centuryBritish
Prints
View of the Interior of the Gankirō Tea House in Yokohama (Yokohama Gankirō no zu), published by Daikokuya Kinnosuke
Utagawa Hiroshige II, Late Edo period, fourth month of 1860
Right sheet from a Yokohama woodblock-printed ōban triptych; ink and color on paper
19th centuryJapanesePrints
Printed Greater Sutra of the Perfection of Wisdom (S: Mahâprajnâpâramitâ-sūtra ; J: Dai-hannya-haramitta-kyō), Volume 513, Vol. 3
Unknown Artist, Kamakura period, 1265
One of seven folding books; printed in ink on dyed paper with red dots of punctuation and selected readings in "kana" (Japanese syllabary) added in ink
13th centuryJapanesePrints
Dante and Virgil Meeting the Lion and the Wolf
Anonymous Italy (Venice) 1599, 16th century
16th centuryItalian
Prints
The Transfiguration of Christ
Harmen Jansz. Müller, 1585
Engraving printed in black ink with added transparent and opaque watercolor and metallic gold on white antique laid paper, darkened to cream
16th centuryNetherlandishPrints
Man's Head in Woman's Hair
Edvard Munch, 1896
Woodcut from two blocks cut into sections printed in gray, bluish black, and deep brownish orange inks on off-white wove paper
19th centuryNorwegian