1899
block: 39.4 × 55.6 cm (15 1/2 × 21 7/8 in.) sheet: 52.8 × 73.3 cm (20 13/16 × 28 7/8 in.)
[Kaare Berntsen, A/S, Oslo], sold; to Lynn and Philip A. Straus, 1976, gift; to Harvard Art Museums, 1991
Woodcut from two blocks cut with a fret saw printed in black, orange, and gray inks on off-white Japanese paper
19th centuryNorwegianWoodcut in pale rose and pale blue with oil and gouache in black, red, yellow, blue, and green on heavy off-white wove paper washed with brown watercolor to make it a tan shade
19th centuryNorwegianWoodcut from a sawn block in printed in black, red and greenish blue inks on off-white Japanese paper
19th centuryNorwegianWoodcut printed in dark blue, light blue, orange, and green inks on cream wove paper
19th centuryNorwegianWoodcut with gouges and fretsaw printed in black, reddish-orange, blue, and gray inks on thin Japanese paper mounted on a tan wove sheet, the mount's edges tinted to match the woman's face
19th centuryNorwegianWoodcut printed in black, lime green, red, pale violet, and yellow inks, on off-white wove paper that has been washed with dilute brown
19th centuryNorwegianWoodcut printed in black ink on cream Japanese paper
19th centuryNorwegianWoodcut printed in black, red, and teal blue inks on off-white, thin, laid Japanese paper
19th centuryNorwegianWoodcut from two blocks sawn into sections printed in orange, blue, dark blue, and green on white wove paper
19th centuryNorwegianWoodcut printed in black ink with red watercolor additions on off-white wove paper discolored to tan, mounted by the artist on coarse brown paper
19th centuryNorwegianWoodcut printed in black ink on very thin Japanese paper
19th centuryNorwegianWoodcut with gouges printed in red ink on Japan paper
19th centuryNorwegian