1899
79.1 x 85.1 cm (31 1/8 x 33 1/2 in.) frame: 93.4 x 98.4 x 5.1 cm (36 3/4 x 38 3/4 x 2 in.)
Consigned by the artist to [Doll and Richards, Boston, MA, 1900], sold; to Mrs. Roland C. Lincoln, 1900, sold [through her sale, American Art Association, New York, 1920, no. 57]; to [Scott & Fowles, New York], sold; to Grenville L. Winthrop, New York, NY, 1930s, gift; to the Fogg Art Museum, 1939.
Right screen of a pair of six-fold screens; ink on paper.
19th centuryJapaneseHanging scroll; ink and light colors on paper; with signature reading "Can Daozhe" and with four seals of the artist.
17th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseInk and light color on paper
19th centuryJapaneseOil on canvas
19th centuryAmericanOil on canvas
19th centuryAmericanOne (the left) of a set of three hanging scrolls (each with landscape painted inside a circle); ink on silk
18th centuryJapaneseTempera on panel?
ByzantineOil on wood panel
19th centuryAmericanOn panel
19th centuryItalianFolding album leaf (from an album of sixteen leaves) mounted as a hanging scroll; ink on paper, with notation reading "Maedoin chak" (in Chinese, "Meidaoren zuo"), indicating that the painting is in the manner of Wu Zhen; with a square, red, relief seal of the artist redading "Yu Hyang Sŭp In"
19th centuryKoreanOil on canvas
19th centuryGerman