mid-19th century
This plum-blossom painting is an expressive combination of balanced contrasts: soft, rounded plum blossoms and buds delicately rest on sharp branches that burst in every direction; watery ink washes are punctuated with black dots scattered along the image. The vertical crease that runs down the center of this plum-blossom painting indicates that it was once part of an accordion-fold album. Now mounted as a hanging scroll, the painting is believed to have originated from an album of sixteen leaves, all by the same artist. The four-character inscription at the lower right of this painting reads Mae-do-in chak (Chinese, Meidaoren zuo), which might be translated "Made by Mae-do-in" or "Made by the Plum Daoist." While it would seem an entirely appropriate phrase for Cho Hŭi-ryong, Meidaoren is in fact a hao, or sobriquet, of the renowned fourteenth-century Chinese ink plum painter Wu Zhen (1280-1354). Thus, these four characters are not a signature of Cho Hŭi-ryong; rather, they indicate that in painting this album leaf, Cho imitated the style of Wu Zhen. The rugged, expressive brushwork, however, not only marks the painting as a nineteenth-century work, but distinguishes it from paintings done in earlier centuries, which typically would have attempted a more naturalistic depiction using more delicate and descriptive brushwork.
painting proper: H. 28.1 x W. 41.2 cm (11 1/16 x 16 1/4 in.) mounting, including cord and roller ends: H. 101 x W. 68 cm (39 3/4 x 26 3/4 in.)
[Kang Collection, New York (1999)] sold; to Harvard University Art Museums, 1999.
Hanging scroll; ink on paper embellished with flecks of silver leaf; with artist's signature reading "Ch'a-san"
19th centuryKoreanSection of a hanging scroll mounted on a panel and framed; ink and colors on paper
18th-19th centuryKoreanHanging scroll; ink and light colors on paper; with seal of the artist reading..
19th centuryKoreanSix-panel folding screen; ink and light colors on silk; with signature reading "Hyo-san"; with seals reading "Hyo San" and "Kim Chae Tŏk In" at the end of the inscription on the last panel
19th centuryKoreanHanging scroll; ink and slight color on paper; with inscription, signature, and three seals of the artist
19th-20th centuryKoreanHanging scroll; ink and colors on paper; with square, red, intaglio seal impression reading "Cho Chung-muk in" and with square, red, relief seal impression reading "Un-kye"
19th centuryKoreanHanging scroll; ink and color on silk
19th centuryKoreanFolding album leaf mounted as a hanging scroll (from an album of sixteen leaves); ink on paper; with an inscription by the artist; with one seal of the arist
19th centuryKoreanOne of two vertical panels mounted as hanging scrolls, the panels from a folding screen and probably from a set of eight; ink and colors on paper
19th centuryKoreanFolding album leaf mounted as a hanging scroll; ink on paper
19th centuryKoreanHanging scroll now framed and glazed; ink and colors on silk
18th-19th centuryKoreanHanging scroll; ink on paper; with artist's signature
19th centuryKorean