early 18th century
grabbed the bird at the base of its neck, while its talons grip the lower half of the bird’s body. The bird’s wings are spread and its mouth agape. In the center of the page is a seated man executed in red ink. He sits with his legs folded under him and his hands clasped on his lap. He wears a turban, a long robe (jama) and a waist sash (patka) with a punch dagger (katar) tucked into it. He has a long beard and heavy-lidded eyes. On this right is a noblewoman reclining on a bed. An attendant, who exists in the form of a light sketch, hovers over her. The top and bottom of the page have swirls and scribbles executed in a variety of colors. These bold lines signify the artist testing colors and strokes, as well as adjusting the amount of pigment held in the brushes. Rajput Style, Kota School.
13.2 x 17.2 cm (5 3/16 x 6 3/4 in.)
Stuart Cary Welch (by 1969 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum. Notes: Object was part of temporary loan to Museum in 1969.
Ink and opaque watercolor on paper with chalk rubbing
18th centuryIndianInk and opaque watercolor on paper; Rajput Style, Kota School
18th centuryIndianInk and opaque white watercolor on paper; Rajput Style, Kota School
18th centuryIndianInk on paper; Rajput Style
18th centuryIndianInk and opaque watercolor on paper; Rajput Style, Kota School
18th centuryIndianInk on paper
17th-18th centuryIndianBlack ink and opaque watercolor on beige laid paper; Rajput Style, Kota School
18th centuryIndianInk and opaque watercolor on paper
18th centuryIndianInk and opaque watercolor on paper
18th-19th centuryIndianInk and opaque watercolor on paper
18th centuryIndianBlack ink and watercolor on paper
18th centuryIndianBlack ink and watercolor on off-white laid paper
18th centuryIndian