17th century
The drawing depicts two large elephants engaged in combat in a special arena. A large partition prevents the animals from seriously harming one another. The elephant on the left is fettered by chains on its feet, perhaps indicating that he is in must and therefore in a heightened, aggressive mood. Each elephant driver (mahout) wields his goad (ankus) as the animals attempt to gore one another with their tusks. The goad is a tool that is used to control the animal’s behavior and movements. As seen here, tusks were sawed to have blunt ends to prevent injury. The artist has varied his lines from bold to delicate to capture the powerful movement of the elephants and to suggest their wrinkly hides. Rajput style, Kota school.
42 x 49 cm (16 9/16 x 19 5/16 in.)
Stuart Cary Welch (by 1983 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum. Notes: Object was part of long-term loan to Museum in 1983.
Ink and opaque watercolor on paper; Rajput Style
17th centuryIndianBlack ink and watercolor on beige laid paper; Rajput Style, Kota School
17th centuryIndianGray-black ink and opaque watercolor on off-white paper
17th centuryIndianInk on paper; Rajput Style, Kota School
17th centuryIndianInk and opaque watercolor on paper; Rajput Style, Kota School
17th centuryIndianBlack ink and watercolor on off-white paper; Rajput Style, Kota School
17th centuryIndianInk and opaque watercolor on paper
17th-18th centuryIndianMedia line continues: "architecture pricked". sb/1/30/04
17th centuryIndianInk and opaque watercolor on paper
17th centuryIndianInk on paper
17th centuryIndianInk on paper
17th-18th centuryIndianInk and color on paper; Basohli Style
17th centuryIndian