19th century
Amulet boxes such as these were worn in pairs, with a piece of cloth passing through the loops on the side to attach one box to each upper arm. In the center of each box lid is the bismallah, written in such a way as to form a pseudo-magic square. Around the edge of the lid and around the body are verses from the Qur'an. The boxes would also have contained miniature Qur'ans. The Qur'an was believed to have protective qualities, and so these amulets would have protected the wearer from harm, disease, misfortune, and the evil eye, and would have afforded him or her a general sense of well-being. Notes from the Glory and Prosperity exhibition, Feb - June 2002.
7 cm (2 3/4 in.)
Lacquer on wood
JapaneseSilver
19th centuryBritishLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques
18th centuryJapaneseBox with mounted Plexiglas wheel and various sample materials
20th centuryBritishSilver, gilt
19th centuryBritishLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and harigaki (linear incising) techniques, and with applied kirigane (cut gold and silver) and shibuchi (copper-silver alloy); metal fittings
17th-18th centuryJapaneseLacquer on wood with decoration in sabi urushi (thick lacquer paste) and gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with appliqués of lead foil and raden (mother-of-pearl) inlays; stone and copper fittings
16th-17th centuryJapaneseSilver
19th centuryPersianEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels
17th centuryChineseSilver with parcel gilding
3rd century BCE-3rd century CEChineseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with raden (mother-of-pearl) inlays
17th-18th centuryJapanese