BoxesJapanese

BOX FOR LETTER

Classification

Boxes

Medium

Lacquer on wood

Culture

Japanese

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Boxes

Circular Covered Box with Abstract Floral Decor

Kawai Kanjirō 河井寬次郎, 1920s

Temmoku-type ware: light gray stoneware with black glaze, the decoration painted in overglaze iron-brown slip

20th centuryJapanese

Boxes

Long Scroll Box (Nagafubako) with Wild-Carnation Crest Design

Unknown Artist, Style of the Muromachi period, late 15th or early 16th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet gold and silver appliqué) techniques; metal fittings

15th-16th centuryJapanese

Boxes

Early Spring, Hexagonal Tea Caddy with Decoration of Flowering Plants, Grasses and Pine Needles

Yamazaki Mushū (Yamazaki Atsushi), datable to 2008

Dry lacquer; dark brown lacquer over fabric core, the decoration on the exterior in "takamakie" high relief gold and brown lacquer, the decoration on the interior and base in "nashiji" gold flakes; the base with signature reading "Mushū" in black lacquer

21st centuryJapanese

Boxes

Small Container (Kobako) with Samurai Accouterments Design

Unknown Artist, Mid to Late Edo period, late 18th century

Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, applied kirigane (cut gold), and with raden (mother-of-pearl) inlays

18th centuryJapanese

Boxes

Inkstone Box (Suzuribako) with Deer and Bamboo Design

Unknown Artist, Early Edo period, mid 17th century

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays; stone and metal fittings

17th centuryJapanese

Boxes

Inkstone Box (Suzuribako) with Monkey-and-Persimmon Fan Design

Unknown Artist, Mid Edo period, early 18th century

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with shibuchi (copper-silver alloy), brass, silver, and coral inlays; stone, metal, and enamel fittings

18th centuryJapanese

Boxes

Sweet Box (Kashibako) with Aristocratic Carriage Design

Unknown Artist, Early Edo period, 17th century

Lacquer on woven bamboo with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays

17th centuryJapanese

Boxes

Inkstone Box (Suzuribako) with Intertwined Pine and Cherry Tree Design

Unknown Artist, Early Edo period, early 17th century

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver) and silver inlays; stone, metal, and enamel fittings

17th centuryJapanese

Boxes

Inkstone Box (Suzuribako) with Design of Hares and Autumn Grasses

Hon'ami Kōetsu 本阿弥光悦, late Momoyama or early Edo period, late 16th to early 17th century

Lacquer on wood with decoration in sabi urushi (thick lacquer paste) and gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with appliqués of lead foil and raden (mother-of-pearl) inlays; stone and copper fittings

16th-17th centuryJapanese

Boxes

Mirror Box (Kagamibako) with Flowering Cherry Tree Design

Unknown Artist, Momoyama period, late 16th to early 17th century

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques

16th-17th centuryJapanese

Boxes

Circular Incense Container (Kōgō) with Paulownia Design

Unknown Artist, Momoyama period, 16th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and harigaki (linear incising) techniques; lead-alloy fittings

16th centuryJapanese

Boxes

Mirror Box (Kagamibako) with Double Fan Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques

18th centuryJapanese