PrintsJapanese19th century

THIRTY-SIX VIEWS OF FUJI =MIO-NO-MATSUBARA"

Edo period, 1858

Artists

Utagawa Hiroshige 歌川広重Artist

Classification

Prints

Medium

Ink on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Prints

Full Moon over Takanawa (Takanawa no meigetsu), from the series Famous Places in the Eastern Capital (Tōto meisho)

Utagawa Hiroshige 歌川広重, c. 1831-32

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

No. 17, from the series Magic Lantern Slides of That Romantic Purple Figure (Sono sugata yukari no utsushi-e)

Utagawa Kunisada 歌川国貞, c. 1847-1852 (Kōka 4- An'ei 5)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Geisha as the Seven Gods of Good Fortune (Shichifukujin)

Utagawa Toyokuni 歌川豊国, 18th-19th century

Right panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper with printed signature reading "Toyokuni ga"

18th-19th centuryJapanese

Prints

No. 20, from the series Magic Lantern Slides of That Romantic Purple Figure (Sono sugata yukari no utsushi-e)

Utagawa Kunisada 歌川国貞, c. 1847-1852 (Kōka 4- An'ei 5)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Shuten-dōji at Mount Ōe (Ōeyama Shuten-dōji)

Utagawa Yoshitsuya, 1858 (Ansei 5), 10th month

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Ono no Takamura (Buntoku jitsuroku), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poems by Yodonoya _sago and Sodenoya Soekichi

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

19th centuryJapanese

Prints

Three Women Admiring Nagaban-Format Surimono, with poems by Shunman and Fukae Sugamichi

Kubo Shunman 窪俊満, Edo period, circa late 18th-early 19th century

Ukiyo-e woodblock-printed surimono in "yatsugiri-ban" format; ink, color and embossing on paper

18th-19th centuryJapanese

Prints

No. 21, from the series Magic Lantern Slides of That Romantic Purple Figure (Sono sugata yukari no utsushi-e)

Utagawa Kunisada 歌川国貞, c. 1847-1852 (Kōka 4- An'ei 5)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Night Rain at Karasaki (Karasaki no yau), from the series From the Eight Views of Lake Biwa (ōmi hakkei no uchi)

Utagawa Hiroshige 歌川広重, Edo period, circa 1834

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Ishiyakushi: Ishiyakushi Temple (Ishiyakushi, Ishiyakushi-ji), from the series Fifty-three Stations of the Tōkaidō (Tōkaidō gojūsan tsugi no uchi), also known as the First Tōkaidō or Great Tōkaidō

Utagawa Hiroshige 歌川広重, c. 1833-34

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Mono Iwa no Hana, from the series Comparing Three Flowers to the Three Nikko Monkeys

Yanagawa Shigenobu, 19th century

Ukiyo-e woodblock-printed surimono in "shikishi" format; ink, color and metallic pigment on paper, with printed signature reading "Yanagawa Shigenobu"

19th centuryJapanese

Prints

BEGONIA FLOWERS AND A SNAIL

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

19th centuryJapanese