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ON THE WISDOM OF ANIMALS | Harvard Art Museums | KenAI

Harvard Art Museums
Artworks
ON THE WISDOM OF ANIMALS

ON THE WISDOM OF ANIMALS

PrintsJapanese

ON THE WISDOM OF ANIMALS

Artists

Nishikawa Sukenobu 西川祐信Artist

Classification

Prints

Medium

Ukiyo-e woodblock print; ink on paper

Culture

Japanese

Period

Edo period, 1615-1868

Division

Asian and Mediterranean Art

Department

Department of Asian Art

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Actor Iwai Hanshirō AS JUNREI

Actor Iwai Hanshirō AS JUNREI

Utagawa Toyokuni II (Toyoshige) 歌川豊重

Ukiyo-e woodblock print; ink and color on paper

Diptych: Perspective View of Dancers in an Interior

Diptych: Perspective View of Dancers in an Interior

Ryūryūkyo Shinsai 柳々居辰斎

Ukiyo-e woodblock-printed "ōban" diptych; ink and color on paper

Korean Statue of a Seated Bodhisattva

Korean Statue of a Seated Bodhisattva

Saitō Kiyoshi 斉藤清, Shōwa period,

Woodblock print; ink, color and mica on paper

20th centuryJapanese

Clearing A Building After An Earthquake (after Frank Brangwyn R.A.)

Clearing A Building After An Earthquake (after Frank Brangwyn R.A.)

Urushibara Mokuchū, Meiji period, 1908

Woodblock print; ink and color on paper

20th centuryJapanese

Ueno Shinobazu Horserace

Ueno Shinobazu Horserace

Yōshū (Hashimoto) Chikanobu (楊洲周延), Meiji period, 1890

Right sheet from a woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Fuji in the City (Shichū no Fuji): Detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Fuji in the City (Shichū no Fuji): Detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Katsushika Hokusai 葛飾北斎, Edo period, circa 1835-1847

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Pilgrimage to the Unveiling of Benzaiten at Enoshima in Sagami: Caves at the Main Shrine (Sōshū Enoshima Benzaiten kaichō mōde Hongū Iwaya no zu)

Pilgrimage to the Unveiling of Benzaiten at Enoshima in Sagami: Caves at the Main Shrine (Sōshū Enoshima Benzaiten kaichō mōde Hongū Iwaya no zu)

Utagawa Hiroshige 歌川広重, c. 1851

Woodblock print (nishiki-e) triptych center sheet; ink and color on paper

19th centuryJapanese

English Couple (Igirisu), from the series A Collection of Foreigners (Gaikoku jimbutsu zukushi), published by Wakasaya Yōichi

English Couple (Igirisu), from the series A Collection of Foreigners (Gaikoku jimbutsu zukushi), published by Wakasaya Yōichi

Utagawa Yoshitora 歌川芳虎, Late Edo period, fifth month of 1861

Yokohama woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Our Naval Forces in the Yellow Sea Firing at And Sinking Chinese Warships

Our Naval Forces in the Yellow Sea Firing at And Sinking Chinese Warships

Kobayashi Kiyochika 小林清親, 1894 (Meiji 27)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Taniguchi Shigeru, 1977

Screen print, photograph, cord, and attached elements

20th centuryJapanese

View of Ushijima across the Asakusa River from the Mouth of the San'ya Moat (Asakusagawa San'ya-bori iriguchi mukai Ushijima no kei), from the series The Eastern Capital (Tōto)

View of Ushijima across the Asakusa River from the Mouth of the San'ya Moat (Asakusagawa San'ya-bori iriguchi mukai Ushijima no kei), from the series The Eastern Capital (Tōto)

Ink on paper

Shōno: Driving Rain (Shōno hakuu), from the series Fifty-three Stations of the Tōkaidō (Tōkaidō gojūsan tsugi no uchi), also known as the First Tōkaidō or Great Tōkaidō

Shōno: Driving Rain (Shōno hakuu), from the series Fifty-three Stations of the Tōkaidō (Tōkaidō gojūsan tsugi no uchi), also known as the First Tōkaidō or Great Tōkaidō

Utagawa Hiroshige 歌川広重, c. 1833-36

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese