PrintsJapanese19th century

Courtesan Seated with a Pipe/ Kyoto (Kyo), from the series History of the Three Kingdoms, Courtesans in Peach Banquet (Sangokushi Tōen yakko), with poems by Fukurokutei and Fukkōsha Nakayoshi

Edo period,

Artists

Totoya Hokkei 魚屋北渓Artist

Classification

Prints

Medium

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 21.2 cm x W. 18.6 cm (8 3/8 x 7 5/16 in.)

Related Artworks

Prints

Ghost of Sogo's Wife (Sogo no tsuma no tamashii)

Toyohara Kunichika, Meiji period, dated to 1893

Bottom panel from an ukiyo-e woodblock-printed vertical "ōban" triptych; ink and color on paper with printed signature reading "Osetsu Toyohara Kunichika"

19th centuryJapanese

Prints

Shimbashi Railway Station with Train Time Table

Utagawa Sadahide, Late Edo period, eighth month of 1872

Right sheet from a Yokohama woodblock-printed ōban triptych; ink and color on paper

19th centuryJapanese

Prints

Rules for the Department of Young Ladies (Shōgaku Joreishiki zukai)

Adachi Ginkō 安達吟光, Meiji period, circa late 19th century

Ukiyo-e woodblock print: ink and color on paper

19th centuryJapanese

Prints

SMALL SERIES OF THE 53 STATIONS OF THE TOKAIDO "NISSAKA SAYO NO NAKAYAMA YONOKI ISHI" STATION NO. 26

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

19th centuryJapanese

Prints

Prawn (Kuruma ebi), Horse Mackerel (Aji), and Smartweed (Tade) from the series A Shoal of Fishes (Uozukushi)

Utagawa Hiroshige 歌川広重, Late Edo period, 19th century

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Actor Bando Mitsugorō 3rd, from an untitled series of actors on the theme of Snow, Moon and Flowers (Setsugekka)

Utagawa Kunisada 歌川国貞, Edo period, circa 1825

Center panel from an ukiyo-e woodblock-printed "koban"-format triptych; ink, color and embossing on paper

19th centuryJapanese

Prints

Falcon on Plum Branch, from the series A Collection of Thirty-Six Birds and Animals (Sanjūroku tori zukushi)

Totoya Hokkei 魚屋北渓, Edo period, circa 1825

Ukiyo-e woodblock-printed surimono in shikishi format; ink, color and metallic pigment on paper with printed signature reading "Hokkei"

19th centuryJapanese

Prints

View of Tokyo(?)

Utagawa Kuniteru, Early Meiji period, late 19th century

Fifth sheet from right from a woodblock-printed "ōban" heptaptych; ink and color on paper

19th centuryJapanese

Prints

View of Tokyo(?)

Utagawa Kuniteru, Early Meiji period, late 19th century

Sixth sheet from right from a woodblock-printed "ōban" heptaptych; ink and color on paper

19th centuryJapanese

Prints

Woman Strolling to Marishiten Shrine/ Boar (I) -- Shitaya, from the series Allusions to the Twelve Zodiac Animals at Famous Places in Edo for the Ichiyō Circle (Ichiyōren Edo meisho mitate jūnishi), with poems by Bunkyosha Takamaru, Bunshukusha Otoyoshi,

Yashima Gakutei 八島岳亭, Edo period, 1827

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink and color on paper

19th centuryJapanese

Prints

Demonic Revelry

Gyokuen, Early Meiji period, late 19th century

Center sheet from a woodblock-printed ōban triptych; ink and color on paper

19th centuryJapanese

Prints

Plum Garden, Kamagata (Kamata no umezono), Number 27 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Late Edo period, dated 1857 (2nd month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese