PrintsJapanese

Urashima Tarō, from the series Crane, Tortoise, Pine, and Bamboo (Tsurukame shōchiku no uchi)

Artists

Totoya Hokkei 魚屋北渓Artist

Classification

Prints

Medium

Woodblock print (ukiyo-e, surimono); ink, color, and metallic pigments on paper

Culture

Japanese

Period

Edo period, 1615-1868

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Shikishiban

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Page 18A of a thread-bound woodblock-printed book with paper cover; ink on paper

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Kitagawa Utamaro 喜多川歌麿, Late Edo period, circa 1797

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18th centuryJapanese

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Evidence A

Tajima Hiroyuki, Shōwa period, dated 1963

Woodblock print; ink and color on paper

20th centuryJapanese

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Comparison of the Destinies of the Enlightened and the Antiquated (Kaika kyūhei kōhai kurabe)

Utagawa Yoshifuji, 1882 (Meiji 15)

Right sheet from an ukiyo-e woodblock-printed ōban triptych; ink and color on paper

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Sasajima Kihei 笹島喜平, Shōwa period, dated 1962

Woodblock print; ink on paper

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Tomita Fumio, Shōwa period,

Woodblock print; ink on paper

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Ukiyo-e woodblock print; ink and color on paper

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Demon in Disguise as an Old Woman Fleeing with a Severed Arm (Rōba kiwan o mochisaru zu), from the series New Forms of Thirty-Six Ghosts (Shinkei sanjūroku kaisen)

Tsukioka Yoshitoshi 月岡芳年, 1889

Woodblock print (nishiki-e); ink, color and gauffrage on paper