Tools Services Portfolio About Contact

Tools Services Portfolio About Contact

Made with by Lê Trực 0983470827 © 2025 KenAI.vn

Attack at the Site of the Hundred-Foot Cliff | Harvard Art Museums | KenAI

Harvard Art Museums
Artworks
Attack at the Site of the Hundred-Foot Cliff

Attack at the Site of the Hundred-Foot Cliff

PrintsJapanese19th century

Attack at the Site of the Hundred-Foot Cliff

1895 (Meiji 28)

Artists

Kobayashi Kiyochika 小林清親Artist

Sawamuraya Seikichi 沢村屋清吉Publisher

Description

Right sheet of triptych: 1944.5.25.4 (right), 1944.5.25.5 (center), 1944.5.25.6 (left)

Classification

Prints

Technique

Woodblock print

Medium

Woodblock print (nishiki-e); ink and color on paper

Culture

Japanese

Period

Meiji era, 1868-1912

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

vertical ōban: H. 37.6 cm x W. 23.5 cm (14 13/16 x 9 1/4 in.)

Related Artworks

Possibly Actor Bandō Hikosaburō III

Possibly Actor Bandō Hikosaburō III

Katsukawa Shun'ei 勝川春英, late 18th-early 19th century

Woodblock print (nishiki-e); ink and color on paper

18th-19th centuryJapanese

No. 25, from the series Magic Lantern Slides of That Romantic Purple Figure (Sono sugata yukari no utsushi-e)

No. 25, from the series Magic Lantern Slides of That Romantic Purple Figure (Sono sugata yukari no utsushi-e)

Utagawa Kunisada 歌川国貞, c. 1847-1852 (Kōka 4- An'ei 5)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

The Fall of Fenghuangcheng, later called Our Elite Forces Capturing the Pescadores Islands in Taiwan

The Fall of Fenghuangcheng, later called Our Elite Forces Capturing the Pescadores Islands in Taiwan

Kobayashi Kiyochika 小林清親, 1894 (Meiji 27)

Woodblock print (nishiki-e) triptych; ink and color on paper

19th centuryJapanese

Illustration of the Landing and Advance to Weihaiwei

Illustration of the Landing and Advance to Weihaiwei

Kobayashi Kiyochika 小林清親, 1895 (Meiji 28)

Woodblock print (nishiki-e); ink and colors on paper

19th centuryJapanese

Braving the Bitter Cold, Our Troops Set Up Camp at Yingkou

Braving the Bitter Cold, Our Troops Set Up Camp at Yingkou

Kobayashi Kiyochika 小林清親, 1895 (Meiji 28)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Braving the Snow, Our Troops Capture the Stronghold at Weihaiwei

Braving the Snow, Our Troops Capture the Stronghold at Weihaiwei

Kobayashi Kiyochika 小林清親, 1895 (Meiji 28)

Woodblock print (nishiki-e); ink and colors on paper

19th centuryJapanese

Braving the Bitter Cold, Our Troops Set Up Camp at Yingkou

Braving the Bitter Cold, Our Troops Set Up Camp at Yingkou

Kobayashi Kiyochika 小林清親, 1895 (Meiji 28)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Teasing the Baby with a Winter Cherry (Hōzuki), from an untitled series of everyday scenes

Teasing the Baby with a Winter Cherry (Hōzuki), from an untitled series of everyday scenes

Kitagawa Utamaro 喜多川歌麿, c. 1799-1800 (Kansei 11-12)

Woodblock print (nishiki-e); ink and color on paper

18th-19th centuryJapanese

Courtesan Hinazuru of the Chōjiya, from an untitled series of courtesans arranging flowers

Courtesan Hinazuru of the Chōjiya, from an untitled series of courtesans arranging flowers

Kitagawa Utamaro 喜多川歌麿, c. 1802 (Kyōwa 2)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Shuten-dōji at Mount Ōe (Ōeyama Shuten-dōji)

Shuten-dōji at Mount Ōe (Ōeyama Shuten-dōji)

Utagawa Yoshitsuya, 1858 (Ansei 5), 10th month

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Bird and Bamboo with Poems

Bird and Bamboo with Poems

Nakajima Raishō 中島来章, Late Edo period, circa 1820-1860

Woodblock print (surimono); ink and color on paper

19th centuryJapanese

Battle at Jinzhoucheng on the Road to Port Arthur

Battle at Jinzhoucheng on the Road to Port Arthur

Kobayashi Kiyochika 小林清親, 1894 (Meiji 27)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese