c. 1730
This drawing, which has significant losses at the bottom of the page, depicts a large elephant running. The sense of motion can be seen through the swinging bell at the center of the elephant’s body and the fluttering robe of the elephant driver (mahout). The elephant’s ears flap forward and its tail is curved upward. The elephant driver sits at the nape of the elephant’s neck, his feet tucked under the large collar. The driver has a dark mustache, wears a turban, and carries an elephant goad (ankus) above his head. The elephant goad is used to control and manipulate the elephant’s movement. Rajput Style, Kota School.
32.2 x 49 cm (12 11/16 x 19 5/16 in.)
Stuart Cary Welch (by 1999 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum. Notes: Object was part of long-term loan to Museum in 1999.
Ink and opaque watercolor on paper, with chalk rubbing
18th centuryIndianInk and opaque watercolor on paper
18th centuryIndianInk and opaque watercolor on paper
18th centuryIndianInk and opaque watercolor on paper
18th-19th centuryIndianInk and opaque watercolor on paper; Rajput Style, Kota School
18th centuryIndianInk and opaque watercolor on paper
18th centuryIndianInk and opaque watercolor on paper
18th centuryIndianInk and opaque watercolor on paper
18th centuryIndianInk on paper; Rajput Style, Kota School
18th centuryIndianInk and opaque watercolor on paper
18th-19th centuryIndianInk and opaque watercolor on paper
17th-18th centuryIndianMonochrome tracing on deer skin (charba), unfinished; Mughal Style
18th centuryIndian