18th century
The recto side of the folio depicts a palace. In the bottom register is a group of women getting dressed after bathing in the river. Seated in the palace are a man and woman that also appear to be conversing. On the right is a group of four women at a shrine. On the verso side of the folio is a drawing depicting the Asavari Ragini, who is commonly represented by a female heroine (nayika) who charms snakes either through her dance or through her music. In this drawing, the female figure, bare chested and wearing a skirt made of leaves, sits on a rock. A cobra rests on her hand, its body draping down her thigh. Other snakes can be found on the scene, coiled around trees or slithering on the ground. This painting is a pictorial metaphor for a raga, a musical phrase that is used as the basis for improvisation. Rajput, Rajasthani, Kota School.
25.2 x 17.4 cm (9 15/16 x 6 7/8 in.)
Stuart Cary Welch (by 1969 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum. Notes: Object was part of temporary loan to Museum in 1969.
Black ink on deer skin (charba)
18th centuryIndianInk on paper; Rajput Style, Kota School
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18th centuryIndianBlack ink on paper
18th-19th centuryIndianInk and opaque watercolor on paper
18th centuryIndianInk and opaque white watercolor on paper; Rajput Style, Kota School
18th centuryIndianInk and watercolor on paper.
18th centuryIndianInk and watercolor on paper
18th centuryIndianInk on paper
18th centuryIndianInk and orange color on paper
18th centuryIndianMonochrome tracing on deer skin (charba), unfinished; Mughal Style
18th centuryIndianInk and opaque watercolor on paper
18th-19th centuryIndian