PrintsJapanese19th century

Mountain Sedge Snake Bridge (Yamasuge, Hebibashi), from the series Scenic Views of Nikkō (Nikkō shōkei)

c. 1893

Artists

[Ayaoka?] RyōkōArtist

Description

This impression heavily trimmed, print and series title visible on other impressions.

Classification

Prints

Medium

Woodblock print; ink and color on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

26.3 x 22.3 cm (10 3/8 x 8 3/4 in.)

Related Artworks

Prints

The Fall of Fenghuangcheng, later called Our Elite Forces Capturing the Pescadores Islands in Taiwan

Kobayashi Kiyochika 小林清親, 1894 (Meiji 27)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

A Bag of Satirical Poems of Ancient and Modern Times (Kokon kyōka bukuro)

Kitao Masanobu 北尾政演, Mid to Late Edo period, circa late 18th to early 19th century

Thread-bound ukiyo-e woodblock-printed book in a blue paper cover; ink and color on paper

18th-19th centuryJapanese

Prints

Iki Province, Shisa (Iki, Shisa), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujūyoshū meisho zue)

Utagawa Hiroshige 歌川広重, Edo period, 1856 (Ansei 3, 3rd month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper, with printed signature reading "Hiroshige hitsu"

19th centuryJapanese

Prints

Hall of Thirty-Three Bays, Fukagawa (Fukagawa Sanjūsangendō), Number 69 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (8th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

The Fall of Fenghuangcheng, later called Our Elite Forces Capturing the Pescadores Islands in Taiwan

Kobayashi Kiyochika 小林清親, 1894 (Meiji 27)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Chōjun (Zhang Shun)/ Water (Mizu), from the series Five Elements of the Tale of the Water Margins (Suiko gogyō), with poems by Seiyōkan Umeyo (Baise) and Garyūen

Totoya Hokkei 魚屋北渓, Edo period, probably 1832

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Triptych: Surprise Attack at Night at Kumasaka (Kumasaka yau chi no zu)

Utagawa Yoshitora 歌川芳虎, Late Edo period, circa 1845

Ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Battleships (Waga kuchikan sokuchō asagiri daifūsetsu o okashite ryojun ni tekikan o gekichin suru no zu)

Kōkyo, Meiji period,

Center panel from a woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Autumn Leaves

Katsushika Hokusai 葛飾北斎, Edo period,

Ukiyo-e woodblock-printed "surimono" in "chūban" format; Ink and color on paper

19th centuryJapanese

Prints

Scene on a Beach (one panel from a triptych)

Kitagawa Utamaro II, Mid to Late Edo period, late 18th to early 19th century

Ukiyo-e woodblock print in "ōban" format; ink and color on paper, with printed signature reading "Utamaro hitsu"

18th-19th centuryJapanese

Prints

The Fall of Fenghuangcheng: Putting the Enemy to Rout (Hōōjō kanraku tekihei kaisō zu)

Mizuno Toshikata, 1894 (Meiji 27)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Woman Folding Kimono

Katsushika Hokusai 葛飾北斎, late 18th-early 19th century

Woodblock print (surimono); ink, color, and metallic pigments on paper

18th-19th centuryJapanese