c. 1820
The painting depicts the blue-skinned Hindu god Krishna helping Rukmini to get on his horse-drawn chariot as they elope. The accompanying captions identify the figures. The scene occurs at a white outdoor shrine dedicated to the god Shiva, lord of destruction. Within the sanctum is a lingam, Shiva’s aniconic form, covered in flowers. Rukmini’s attendants show their dismay at her elopement by throwing their hands up. In this episode from the tenth book of the Bhagavata Purana, Krishna kidnaps and elopes with Rukmini at her request to prevent an unwanted marriage with the evil king Shishupala, who is also Krishna’s cousin. Later, Rukmini becomes Krishna's principal wife and queen. This folio most likely belonged to a Bhagavata Purana series produced in the Pahari region of Northern India. Other folios from the same Bhagavata Purana series in the Harvard Art Museum’s collection are objects 2001.336, 2001.337, 2001.338. Rajput, Pahari.
21.59 x 28.73 cm (8 1/2 x 11 5/16 in.)
Opaque watercolor on paper
19th centuryIndianOpaque watercolor on paper
18th-19th centuryIndianOpaque watercolor and gold on paper
18th-19th centuryIndianOpaque watercolor and gold on paper
18th-19th centuryIndianOpaque watercolor, gold, and silver on paper; Rajput Style
18th-19th centuryIndianOpaque watercolor and gold on paper
19th centuryIndianOpaque watercolor, ink, and gold on paper; Rajput Style
19th centuryIndianOpaque watercolor and gold on paper
19th centuryIndianOpaque watercolor on paper
18th-19th centuryIndianInk, opaque watercolor, and gold on paper; Pahari Style, Kangra School
19th centuryIndianInk, opaque watercolor, gold and graphite on paper
19th centuryIndianOpaque watercolor on paper
18th-19th centuryIndian