PrintsJapanese19th century

Goddess Konohana Sakuyahime (Konohana Sakuyahime no mikoto), detached page from One Hundred Views of Mount Fuji (Fugaku hyakkei), vol. 1

Edo period, 1834 (Tenpō 5)

Artists

Katsushika Hokusai 葛飾北斎Artist

Classification

Prints

Medium

Woodblock-printed book page; ink on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Prints

Illustrated Book on Annual Events in the Gay Quarters (Seirō ehon nenjū gyōji) in 2 volumes, designed with Jippensha Ikku (1775-1831)

Kitagawa Utamaro 喜多川歌麿, Late Edo period, published in 1804

Pair of ukiyo-e woodblock-printed books with blue-and-white-covers; ink and color on paper

19th centuryJapanese

Prints

TOKAIDO GOJU-SAN-TSUGI

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

19th centuryJapanese

Prints

Illustrated Book on Annual Events in the Gay Quarters (Seirō ehon nenjū gyōji) Volume One

Kitagawa Utamaro 喜多川歌麿, Late Edo period, published in 1804

Volume One of an ukiyo-e woodblock-printed book in two [blue-and-white-covered] volumes; ink and color on paper

19th centuryJapanese

Prints

Woman with Chrysanthemums

Yōshū (Hashimoto) Chikanobu (楊洲周延), Meiji period, circa 1890s

Woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

View of the Amusements of the Foreigners in Yokohama, Bushu (Bushu Yokohama gaikokujin yūkyō no zu), published by Yamadaya Shōjirō

Utagawa Yoshitora 歌川芳虎, Late Edo period, first month of 1861

Left sheet from a Yokohama woodblock-printed ōban triptych; ink and color on paper

19th centuryJapanese

Prints

Gen Sanmi Yorimasa, from the series Twenty-Four Generals for the Katsushika Circle (Katsushika nijūshishō)

Yashima Gakutei 八島岳亭, Edo period, circa 1821

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color, mica, metallic pigment and embossing on paper

19th centuryJapanese

Prints

True Picture of a Live Wild Tiger

Kawanabe Kyōsai 河鍋暁斎, Late Edo period, sixth month of 1860

Yokohama woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Prints

Mother and Child Pouring Sake into Well, with poems by Seizandō Shirane no Tsuneyuki (from Kōfu), Hakuginrō(?) Kagami no Tsunemaru, Fudantei Iguchi no Tsunemizu and Tōto Hasendō

Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "chūban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Courtesan Hitofude of Tamaya with Attendants on the Way to the First Writing of the New Year (Kakizome no Tamaya uchi Hitofude), fifth from the series Views of Nakanochō for the Hisakata Poetry Club (Hisakataya Nakanochō no go), with poems by Minogame Osa

Yashima Gakutei 八島岳亭, Edo period, circa 1825

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Prints

A French Woman and Her Daughter in Front of a Mirror, from the series Foreign Merchants' Houses in Yokohama (Yokohama shōka ijin no zu), published by Tsujiokaya Bunsuke

Utagawa Sadahide, Late Edo period, first month of 1861

Yokohama woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Prints

Geisha as the Seven Gods of Good Fortune (Shichifukujin)

Utagawa Toyokuni 歌川豊国, 18th-19th century

Center panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper with printed signature reading "Toyokuni ga"

18th-19th centuryJapanese

Prints

TORA AND JURO

Utagawa Kunisada 歌川国貞, Edo period, circa early 19th century

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper

19th centuryJapanese