1562
In Firdawsi’s epic, Yazdigird III (d. 651) was assassinated in a mill by order of Mahuy, the treacherous governor of Merv. Two religious ascetics discovered the king’s body, stripped and thrown in a stream. Their fellow monks retrieved it, respectfully anointed it with wine, musk, camphor, and rosewater, clothed it in linen and gold brocade, and placed it in a lofty tomb. The painting shows a priest blessing the open grave as Yazdigird’s coffin is carried into the mausoleum, followed by a crowd of mourners. The casket, with Yazdigird’s crown at the head, is wrapped in textile strips. In design and decoration, the tomb reflects sixteenth-century Central Asian and Iranian architectural interiors.
37 x 23.9 cm (14 9/16 x 9 7/16 in.)
[Christies, London, 17 October 1995, lot no. 79]. [Mansour Gallery, London, before 1998], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (by 1998-2002), gift; to Harvard Art Museums, 2002.
Ink, opaque watercolor and gold on paper
16th-17th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianGold and watercolor on paper.
16th-17th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianPaintings with text; ink, opaque watercolor and gold on paper, with red and gold leather binding
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersian