1575-1590
This painting is part of a double-page composition that depicts the redemption of prince Siyavush, son of the Iranian king Kay Kavus. When Siyavush rebuffed the advances of his stepmother, Sudaba, she accused him of attempting to rape her. The king, after conducting an inconclusive investigation, asked both Sudaba and Siyavush to undergo a trial by fire. Sudaba refused; Siyavush agreed and emerged from the burning pyre unscathed and triumphant. The painting on the left shows Siyavush galloping on his black horse through the engulfing flames. The king, also mounted, watches intently from the rocks above. On the right is the brightly tiled royal palace, from which Sudaba, finger to mouth, peers down in amazement. Wide illuminated borders, here consisting of geometric compartments, surround the composition.
42.8 x 28.3 cm (16 7/8 x 11 1/8 in.)
[Mansour Gallery, London, 1990 or 1992], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1990 or 1992 - 2002), gift; to Harvard Art Museums, 2002.
Ink, opaque watercolor and gold on paper
16th-17th centuryPersianInk and gold on paper
15th-16th centuryPersianWatercolor, gold-colored pigments, and lacquer on pasteboard (covers) Ink, colors, and gold on paper (text)
16th and 19th centuryPersianInk on paper
15th-16th centuryPersianink on paper
16th and 19th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk on paper
16th and 19th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianOpaque watercolor, gold and silver on paper
16th centuryPersian