19th century
This is an example of a rarefied and extremely painstaking genre of calligraphy in which a dried leaf was used for the support. In this case, the leaf appears to be from a horse chestnut tree. Written in a majestic thuluth, the Arabic inscription is beautifully composed in an oval to fill the lower and broader part of the leaf. Most Ottoman leaf calligraphies employ gold ink. Microscopic examination of this leaf revealed no pigment whatsoever, which may explain its extremely fragile condition.
21.5 x 10.7 cm (8 7/16 x 4 3/16 in.)
First of three handscrolls; ink on paper; punctuation: light red dots; reciting: dark red
10th-12th centuryJapaneseHandscroll; ink on decorated silk with designs in color and gold
17th-18th centuryJapaneseHanging scroll; ink on silk
18th-19th centuryJapaneseLetter mounted as a hanging scroll; ink on paper
16th-17th centuryJapaneseManuscript book bound with purple paper with designs in gold and silver
16th centuryJapanese38th of a set of 54 thread-bound books; ink on paper
17th-18th centuryJapaneseLetter mounted as a hanging scroll; ink on paper
17th centuryJapaneseAlbum leaf; ink on paper
Chinese1st of 5 thread-bound books; ink, gold and silver on paper; some colored paper
16th-17th centuryJapaneseHandscroll fragment; ink on paper with silver guidelines
12th-13th centuryJapaneseCalligraphic fragments mounted as a handscroll; ink on kumogami (paper decorated with cloud-designs in purple and blue pigments)
14th centuryJapanese44th of a set of 54 thread-bound books; ink on paper
17th-18th centuryJapanese