2023
H. 44.5 × W. 47 × D. 47 cm (17 1/2 × 18 1/2 × 18 1/2 in.) 31.2 lb
Artist Jane Yang-D’Haene, Brooklyn, New York (2023), sold; to Harvard Art Museums.
Stoneware
21st centuryBritishPorcelain with underglaze copper red design
21st centuryJapaneseOnda ware, 'zogan' technique: light gray stoneware with pale olive glaze over brush-applied white slip on the interior and over white slip brushed over chatter marks on the exterior; with three- (or four-?) character stamp of the Onda kilns impressed on the base
21st centuryJapaneseLight gray stoneware with variegated copper-green glaze applied with a brush, with artist’s mark impressed on the base
21st centuryJapaneseOff-white stoneware with ash coating and natural ash glaze over marks from shells used as firing supports; with signature reading "Ken" inscribed on the base before firing
21st centuryJapaneseOff white (or very light gray) stoneware with ash coating and natural ash glaze; with signature of the artist reading "Ken '00" inscribed on the base before firing
21st centuryJapaneseHakeme type: light gray stoneware with pale celadon glaze over brush-applied white slip, the slip encouraged to run to create patterns, with artist’s mark impressed on the base
21st centuryJapaneseOff white (or very light gray) stoneware with ash coating and natural ash glaze
21st centuryJapaneseOnda ware: light gray stoneware with pale olive glaze over brush-applied white slip enlivened with chatter marks on the interior and over brush-applied white slip spirals on the exterior
21st centuryJapaneseOnda ware: light gray stoneware with pale olive glaze over brush-applied white slip enlivened with chatter marks on the exterior
21st centuryJapaneseBuncheong-style stoneware: light gray stoneware with decoration incised and carved (in sgraffito technique) through an all-over coating of white slip; with celadon glaze; with artist signature reading 김 (Kim) incised on the base
21st centuryKoreanKohiki type: light gray stoneware with pale celadon glaze over brush-applied white slip, the slip carefully applied to form hard-edged geometric patterns, with artist’s mark impressed on the base
21st centuryJapanese