FragmentsSyrian2nd-3rd century CE

Wall Painting Fragment

160-250 CE

Description

Brown, black, and pink-red pigment on white plaster. White ground, with two dark brown lines intersected by curving black line, and a pink-red band. Traces of blue are present on the white ground. The fragment was examined and analyzed in the Straus Center in 2023. Visible-induced luminescence (VIL) imaging indicated the presence of Egyptian blue pigment. The plaster was identified as gypsum plaster.

Classification

Fragments

Technique

Painted

Medium

Pigment on Plaster

Culture

Syrian

Period

Roman Imperial period

Century

2nd-3rd century CE

Division

Asian and Mediterranean Art

Department

Department of Ancient and Byzantine Art & Numismatics

Dimensions

Irreg.: H. 11.5 × W. 2.9 × D. 3 cm (4 1/2 × 1 1/8 × 1 3/16 in.)

Provenance

Dura-Europos (near modern Salihiyeh, Syria), excavated [1]; by the Yale-French Excavations [2] (by 1937), gift; to Prentice Duell [3], Boston, MA, (by 1940), gift; to Fogg Art Museum, 1940. [1] The specific archaeological findspots (on the site) of the gifted wall painting fragments were not recorded (Letter, Clark Hopkins to Prentice Duell, June 9, 1940, Folder 13 ("Blue: Azurite"), Pigment File, Unspecified MS Box No. 3, Papers of Prentice Van Walbeck Duell, 1894-1960, Special Collections, Fine Arts Library, Harvard University, Cambridge, MA). [2] Yale-French Excavations at Dura-Europos (1928-1937), a collaboration between Yale University (New Haven, Connecticut) and the French Académie des Inscriptions et Belles-Lettres (Paris), in agreement with the High Commission of the French Republic (French Mandate of Syria). A portion of excavated finds were distributed to Yale under partage agreements. [3] Given as samples of ancient wall painting under the auspices of Clark Hopkins (1895-1976), field director of Yale-French Excavations at Dura-Europos, 1931-1935, to Prentice Duell (1894-1960). Duell was an architect, archaeologist, and scholar of ancient painting. Duell worked on archaeological field projects in the US, Greece, and Egypt (Saqqara); he was a research fellow of Etruscan art at the Fogg Museum from 1939 to 1960.